Kategoria BISAC: Literary Criticism >> Science Fiction & Fantasy

In Science Fiction and Extro-Science Fiction, Quentin Meillassoux addresses the problem of chaos and of the constancy of natural laws in the context of literature. With his usual argumentative rigor, he elucidates the distinction between science fiction, a genre in which science remains possible in spite of all the upheavals that may attend the world in which the tale takes place, and fiction outside-science, the literary concept he fashions in this book, a fiction in which science becomes impossible. With its investigations of the philosophies of Hume, Kant, and Popper, Science...

What character did Peter Cushing portray in Star Wars: A New Hope? Who was Arwen Evenstar's mother? According to Isaac Asimov, what is third law of robotics? Which barbarian hero carried a sword called 'Graywand'?

Do you dare face the ultimate test of science fiction and fantasy knowledge? This fun-filled book offers the chance to prove your expertise, with questions ranging from easy to nearly impossible, drawn from the greatest novels, movies, comic books, video games and television shows in the history of the genre.

This book focuses on the interplay of gender, race, and their representation in American science fiction, from the nineteenth-century through to the twenty-first, and across a number of forms including literature and film. Haslam explores the reasons why SF provides such a rich medium for both the preservation of and challenges to dominant mythologies of gender and race. Defining SF linguistically and culturally, the study argues that this mode is not only able to illuminate the cultural and social histories of gender and race, but so too can it intervene in those histories, and highlight...

Science Fiction and Cultural Theory: A Reader is an essential resource for literature students studying science fiction, science and popular culture, and contemporary theory. This book combines key theories that have become touchstones for work in the field with more recent thinking to showcase how theoretical paradigms central to science fiction such as posthumanism and mediation have become central to critical theory overall in the twenty-first century.

The book is divided into four parts:

• Gender, Technology and the Body
• The Science-Fictionalization of Everyday...