This book examines how epic poetry reflects cultural values, and how, in epic poems, the heroes must meet supernatural beings to find answers to essential questions. The work begins with three chapters on ancient poetry.

This collection of essays analyzes film representations of the Crusades, other medieval East/West encounters, and the modern inheritance of encounters between orientalist fantasy and apocalyptic conspiracy. From studies of the filmic representations of popular figures such as El Cid, Roland, Richard I, and Saladin to examinations of such topics as Templar romance and the role of set design, location and landscape, the essays make significant contributions to our understanding of orientalist medievalism in film. Instructors considering this book for use in a course may request an examination...

Shakespeare's plays are a rich source of genre as well as moral or ethical issues that invite deep study. How we consider the plays determine the choices actors and directors make in presenting plays on stage or film, the ways teachers address them in the classroom, and even the ways students and audiences understand and enjoy them. The genre issue often proves the very moral crux where Shakespeare raises the most complex questions. He aimed to build good plays, not simple fulfillments of genre demands. To him "good plays" meant leaving his audience with problems to consider.

A story that follows a simple trajectory is seldom worth telling. But the unexpected overturning of narrative progress creates complexity and interest, directing the reader's attention to the most powerful elements of a story. Exile, for example, upsets a protagonist's hopes for a happy earthly life, emphasizing spiritual perception instead. Waking life interrupts dreams, just as dreams may redirect how one lives. Focusing on medieval literature, this study explores how narrative subversion works in such well known stories as Beowulf, Piers Plowman, Le Morte D'Arthur, The Canterbury...

The work of J.R.R. Tolkien has had a profound effect on contemporary fiction and film making, yet criticism often places him at the margins of twentieth- and twenty-first century thought and experience. He actually sits near the centre of the last century's intellectual landscape: his fiction created a new market for the "fantasy trilogy," his academic work represents what philology can still accomplish in academe and beyond, and his Catholic faith retains great meaning for millions of persons worldwide. Imaginative literature continues to grow even as publishers cut back on creative fiction:...