Kategoria BISAC: Literary Criticism >> European - Italian

Their provocative manifestos and outrageous performances earned the Italian Futurists international fame but, surprisingly, very little recognition outside of Italy for their actual achievements. The few English and American critics who have studied the movement in any depth have focused on the first phase, which spanned the years 1909-15 and was centred in Milan, Rome, and Florence. By contrast, the second phase covered a much longer period and represented a pan-Italian phenomenon. Despite the wealth of material available about this later part of the movement, there has been little...

The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia.

In The New Avant-Garde in Italy - the first book in English to document the...

Detective fiction is a universally popular genre; stories about the investigation of a crime by a detective are published all over the world and in hundreds of languages. Detective fiction provides more than entertainment, however; it often has a great deal to say about crime and punishment, justice and injustice, testimony and judgment. The Novel as Investigation examines a group of detective novels by three important Italian writers - Leonardo Sciascia, Dacia Maraini, and Antonio Tabucchi - whose conviction about the ethical responsibility of the writer manifests itself in their...

Despite its undeniable impact on modern literature, there are very few comprehensive studies of literary works produced in Italy from the end of the eighteenth- to the twentieth century. The Invention of Modern Italian Literature examines the methods of select Italian writers and considers their impact on the literary world. Touching upon some of the most prominent and influential writers in Italy over the last three hundred years, Gino Tellini looks at the unique creative processes of each, as well as at the dominant trends that have come to characterize modern Italian...

Despite its undeniable impact on modern literature, there are very few comprehensive studies of literary works produced in Italy from the end of the eighteenth- to the twentieth century. The Invention of Modern Italian Literature examines the methods of select Italian writers and considers their impact on the literary world. Touching upon some of the most prominent and influential writers in Italy over the last three hundred years, Gino Tellini looks at the unique creative processes of each, as well as at the dominant trends that have come to characterize modern Italian...

Widely considered one of the greatest works produced in Europe during the Middle Ages, Dante's La Divina Commedia (The Divine Comedy) has influenced countless generations of readers, yet surprisingly few books have attempted to explain the philosophical relevance of this great epic. Dante's Hermeneutics of Salvation takes on this ambitious project.

Turning to Heidegger to provide a theoretical framework for her study, Christine O'Connell Baur illustrates how Dante's poem invites its readers to undertake their own existential-hermeneutic journey to freedom. As the...

A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, 'erudite' imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light.

This first of two...

Translated here for the first time into English, Sergio Zatti's The Quest for Epic is a selection of studies on the two major poets of the Italian Renaissance, Ludovico Ariosto and Torquato Tasso, by one of the most important literary critics writing in Italy today. An original and challenging work, The Quest for Epic documents the development of Italian narrative from the chivalric romance at the end of the fifteenth century to the genre of epic in the sixteenth century.

Zatti focuses on Ariosto's Orlando Furioso, written in the early 1500s, and progresses to...

A rich and multi-faceted aspect of the Italian Renaissance, the comedy has been largely overlooked as a cultural force during the period. In Renaissance Comedy, editor Donald Beecher corrects this oversight with a collection of eleven comedies representative of the principal styles of writing that define the genre. Proceeding from early, 'erudite' imitations of Plautus and Terence to satires, sentimental plays of the middle years, and later, more experimental works, the development of Italian Renaissance comedy is here dissected in a fascinating and vivid light.

This first of two...

The history of totalitarian states bears witness to the fact that literature and print media can be manipulated and made into vehicles of mass deception. Censorship and Literature in Fascist Italy is the first comprehensive account of how the Fascists attempted to control Italy's literary production.

Guido Bonsaver looks at how the country's major publishing houses and individual authors responded to the new cultural directives imposed by the Fascists. Throughout his study, Bonsaver uses rare and previously unexamined materials to shed light on important episodes in Italy's...

The essential thrust of this book is an examination of the origins and development of the satirical element of Stendal's writing in Italy, which culminates with the creation of what many critics consider to be his finest achievement, the novel La Chartreuse de Parme.

Tony Greaves adduces some of Stendhal's lesser-known, non-fictional 'Italian' works as essential ingredients in the understanding of 'where La Chartreuse comes from', telling how the different Italian themes of the novel emerge from their historical context.