Kategoria BISAC: Literary Criticism >> European - German

If Walter Benjamin (with an irony that belies his seemingly tragic life) is now recognized as one of the century's most important writers, reading him is no easy matter. Benjamin opens one of his most notable essays, -The Task of the Translator, - with the words -No poem is intended for the reader, no image for the beholder, no symphony for the listener.- How does one read an author who tells us that writing does not communicate very much to the reader? How does one learn to regard what comes to us from Benjamin as something other than direct expression?

Carol Jacobs' In the...

Passions of the Sign traces the impact of the French Revolution on Enlightenment thought in Germany as evidenced in the work of three major figures around the turn of the nineteenth century: Immanuel Kant, Johann Wolfgang von Goethe, and Heinrich von Kleist. Andreas Gailus examines a largely overlooked strand in the philosophical and literary reception of the French Revolution, one which finds in the historical occurrence of revolution the expression of a fundamental mechanism of political, conceptual, and aesthetic practice.

With a close reading of a critical essay by...

Because German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Grass, Johnson, Handke, and Bernhard.

O'Neill's...

In the past few decades, interest in the rich and varied literature of early Scandinavia has prompted a great deal of interest in its background: its origins, social and historical context, and relationship to other medieval literatures. Until the 1980s, however, there was a distinct lack of scholarship in the area, so in 1985, Carol J. Clover and John Lindow brought together some of the most ambitious and distinguished Old Norse scholars to contribute essays for a collection that would finally fill the void of a comprehensive guide to the field.

The contributors summarize and...

Profound and intriguing, Grettir's Saga is the last of the great Icelandic sagas. It tells of the life and death of Grettir, a great rebel, individualist, and romantic hero viewed unromantically. Grettir spends his childhood violently defying authority: as a youth of sixteen he kills a man and is outlawed; all the rest of his life he devotes, with remarkable composure, to fighting more and more formidable enemies. He pits himself against bears, berserks, wraiths, trolls, and finally, it seems, the whole population of Iceland. Yet he is not a bloodthirsty killer, but only a man who...

The Old Norse and Icelandic poets have left us vivid accounts of conflict and peace-making in the Viking Age. Russell G. Poole's editorial and critical analysis reveals much about the texts themselves, the events that they describe, and the culture from which they come.

Poole attempts to put right many misunderstandings about the integrity of the texts and their narrative techniques. From a historical perspective, he weighs the poems' authenticity as contemporary documents which provide evidence bearing upon the reconstruction of Viking Age battles, peace negotiations, and other...

East, West, and Others is the first work to examine the Third World in German literature from World War II to the present. Arlene A. Teraoka investigates how prominent post-World War II East and West German authors have portrayed the Third World. She discusses the persistent stereotypes of race, culture, and sexuality in texts by authors whose careers were shaped by concerns with Third World politics. Those writers include Anna Seghers, Peter Weiss, Hans Magnus Enzensberger, and Heiner MUller; East Germans Claus Hammel and Peter Hacks; and the documentary West German writers Max...

In 1995 Fragments, a memoir by a Swiss musician named Binjamin Wilkomirski, was published in Germany. Hailed by critics, who compared it with the masterpieces of Primo Levi and Anne Frank, the book received major prizes and was translated into nine languages. The English-language edition was published by Schocken in 1996. In Fragments, Wilkomirski described in heart-wrenching detail how as a small child...