Kategoria BISAC: Literary Criticism >> European - General

"This book is about the obsessive strategies people use to keep the arbitrary out of their lives; it is about the fanaticism and intolerance linked to their ideas of perfection and permanence. . . . Those readers who have brushed against the dangers of the idee fixe, who have come close to surrendering to something or someone diabolically seductive or coercive, will recognize in these characters their own encounter with a dangerously systematized world." From the introduction.

Monomania explores the cultural prominence of the idee fixe in Western Europe during the nineteenth and...

Includes the first complete English translation of Jacques Derrida's book-length essay, -Shibboleth for Paul Celan.-

Thomas Pfau reinterprets the evolution of British and German Romanticism as a progress through three successive dominant moods, each manifested in the "voice" of an historical moment. Drawing on a multifaceted philosophical tradition ranging from Kant to Hegel to Heidegger--incorporating as well the psychosocial analyses of Freud, Benjamin, and Adorno--Pfau develops a new understanding of the Romantic writer's voice as the formal encryption of a complex cultural condition.

Pfau focuses on three specific paradigms of emotive experience: paranoia, trauma, and melancholy. Along the...

Aesthetic experience was problematic for Enlightenment authors. Arguing against the commonly held view that aesthetics in the eighteenth and early nineteenth centuries was defined by the professionalization of criticism and the disinterested contemplation and evaluation of the work of art in isolation, David Marshall seeks to understand how and why aesthetic experience in fact often generated tremendous emotion and tension. Focusing on stories about art told in literary, critical, and philosophical writings, in which art is represented as both powerful and disconcerting, he demonstrates...

Between the eleventh and thirteenth centuries, Venice transformed itself from a struggling merchant commune to a powerful maritime empire that would shape events in the Mediterranean for the next four hundred years. In this magisterial new book on medieval Venice, Thomas F. Madden traces the city-state's extraordinary rise through the life of Enrico Dandolo (c. 1107-1205), who ruled Venice as doge from 1192 until his death. The scion of a prosperous merchant family deeply involved in politics, religion, and diplomacy, Dandolo led Venice's forces during the disastrous Fourth Crusade...

Body has been one of the main preoccupations of current Renaissance historiography and current critical theory. Both the literary representation of the body and the construction of the material body in Renaissance anatomical and medical discourses have been used to explore the dynamics of early modern sexuality, gender, and society. Yet the influence of Ovid's texts on the construction of the Renaissance discourses of gender, sexuality, and subjectivity has not been fully explored.

This collection of original essays uses contemporary theory to examine Renaissance writers' reworking...

The cultural forms often referred to as 'baroque' are the most spectacular expressions of early modern Europe's effort to mediate between knowledge and power at a time when political authority was being centralized, the authority of religion undermined by the division of Christianity, and science and poetry were seen increasingly as rival forms of intellectual authority. Culture and Authority in the Baroque explores the baroque across a wide range of disciplines, from poetics to politics, to the rituals of musical, dramatic, and religious performance.

The essays in this collection...

Authorial studies, or 'career criticism' is a new and distinctive branch of interpretive methodology that explores various paths of European careers, particularly literary careers. In this first book-length study in the field various specialists from Italian, French, English, and Spanish studies collectively discuss literary careers spanning from classical antiquity through the Renaissance. They argue that the idea of a literary career evolves slowly, derives centrally from Virgil, and that the periodization from classical, medieval and Renaissance culture helps to elucidate the details of...

The symbolic mode of thought and expression that produced the mixed art form of the emblem also informs and shapes much of the literature of the sixteenth and seventeenth centuries. This study explores the relationship between the emblem proper and the literature of England and Germany during the period.

The book proceeds from a definition of the emblem, based on a critical theory which has received little attention among English and Romance scholars, to a detailed analysis of the form and function of emblematic imagery in a variety of literary forms. The chapters following move into...