Kategoria BISAC: Literary Criticism >> Canadian

Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place.

Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling...

Richard Wright's Native Son (1940) is one of the most violent and revolutionary works in the American canon. Controversial and compelling, its account of crime and racism remain the source of profound disagreement both within African-American culture and throughout the world.

This guide to Wright's provocative novel offers:

• an accessible introduction to the text and contexts of Native Son
• a critical history, surveying the many interpretations of the text from publication to the present
• a selection of reprinted critical essays...

Told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, often confound traditional literary understandings of voice and authorship. In this innovative exploration, these unique narratives are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration.

Discussing a wide range of told-to narratives, including ethnography, recorded (auto)biography, testimonial life narrative,...

Consistently ranked as one of the best Canadian movies of all time, punk-rock mockumentary Hard Core Logo (1996) documents the last-ditch reunion tour of an aging rock band led by vocalist Joe Dick (Hugh Dillon). Well received by critics at the time of its release, the film continues to enjoy a devoted international cult following.

This entertaining analysis of Hard Core Logo explores many of the film's key themes, including the responsibility of documentary filmmakers to their subjects, the development of close male relationships, and the relationship between art...

John Paizs's 'Crime Wave' examines the Winnipeg filmmaker's 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation. Crime Wave's comic plot is simple: aspiring screenwriter Steven Penny, played by Paizs, finds himself able to write only the beginnings and endings of his scripts, but never (as he puts it) "the stuff in-between." Penny is the classic writer suffering from writer's block, but the viewer sees him as the (anti)hero in a...

John Paizs's 'Crime Wave' examines the Winnipeg filmmaker's 1985 cult film as an important example of early postmodern cinema and as a significant precursor to subsequent postmodern blockbusters, including the much later Hollywood film Adaptation. Crime Wave's comic plot is simple: aspiring screenwriter Steven Penny, played by Paizs, finds himself able to write only the beginnings and endings of his scripts, but never (as he puts it) "the stuff in-between." Penny is the classic writer suffering from writer's block, but the viewer sees him as the (anti)hero in a...

The 1980s and 1990s are a historically crucial period in the development of Asian Canadian literature. "Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s" contextualizes and reanimates the urgency of that period, illustrates its historical specificities, and shows how the concerns of that moment from cultural appropriation to race essentialism to shifting models of the state continue to resonate for contemporary discussions of race and literature in Canada. Larissa Lai takes up the term Asian Canadian as a term of emergence, in the sense that it is...

"Public Poetics" is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing publics, poetry, and poetics from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as publics in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics.

"Public Poetics" is...

Throughout his career A.M. Klein was concerned primarily with his relationship to his community, seeing himself, and all serious artists, as necessarily shaping and being shaped by the community in which they are rooted. Yet Klein's vision of this relationship was profoundly ambivalent, and this ambivalence is reflected most clearly in his troubled attitude to the two dominant strains in his work, Jewishness and modernism.

In this study of A.M. Klein's work, Zailig Pollock focuses on 'the story of the poet, ' which Klein retells again and again at major turning points in his career....

'Frye was a person of uncommon gifts, and very little that came from his pen is without interest.' So writes Robert Denham in his introduction to this unique collection of twenty-two papers written by Northrop Frye during his student years. Made public only after Frye's death in 1991, all but one of the essays are published here for the first time.

The majority of these papers were written for courses at Emmanuel College, the theology school of Victoria College at the University of Toronto. Essays such as 'The Concept of Sacrifice, ' 'The Fertility Cults, ' and 'The Jewish Background...