Kategoria BISAC: Literary Criticism >> Canadian

Widely considered to be one of Canada's most important authors, David Adams Richards has been honoured with a Giller Prize and two Governor General's Literary Awards. Despite this, there has been a dearth of critical appraisal of his life and works. In David Adams Richards of the Miramichi, Tony Tremblay sheds light not only on Richards' art and achievements, but also on Canadian literary criticism in general.

Tremblay maps out the early influences on Richards' thinking and writing by drawing on interviews, archival records, and cultural studies of New Brunswick. He argues...

Susan R. Fisher also considers how the representation of the war has changed in Canadian children's literature. During the war, the conflict was invariably presented as noble and thrilling, but recent Canadian children's books paint a very different picture. What once was regarded a morally...

Susan R. Fisher also considers how the representation of the war has changed in Canadian children's literature. During the war, the conflict was invariably presented as noble and thrilling, but recent Canadian children's books paint a very different picture. What once was regarded a morally...

Marian Engel emerged as a writer during that period in Canada when nationalism increased and "new feminism" dawned. Although she is recognized as a distinguished woman of letters, she has not been widely studied; consequently we know relatively little about her and her craft. The material collected in Marian Engel's Notebooks: "Ah, mon cahier, ecoute..." is a major step in redressing that neglect.

Extracts carefully chosen by Christl Verduyn from Marian Engel's forty-nine notebooks -- notebooks Engel began in the late 1940s and which she maintained until her death in 1985...

The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries.

Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and...

When Vincent Massey wrote On Being Canadian in 1948, he acknowledged the importance of the arts to education and citizenship. He did not consider what the arts can tell us about being Canadian or about being ourselves. In On the Art of Being Canadian, Sherrill Grace traces how painters, writers, and filmmakers have shaped Canadian identity in three fields of representation that are staples in Canadian culture ? the North, iconic national figures, and war. By telling stories in their chosen medium and genre about life here or about events and figures from the past, she shows that...

Winner of the 2010 Margaret Atwood Society Best Book Prize.

In Engendering Genre, renowned Margaret Atwood scholar Reingard M. Nischik analyzes the relationship between gender and genre in Atwood's works. She approaches Atwood's oeuvre by genre - poetry, short fiction, novels, criticism, comics, and film - and examines them individually. She explores how Atwood has developed her genres to be gender-sensitive in both content and form and argues that gender and genre are inherently complicit in Atwood's work: they converge to critique the gender-biased designs of traditional...

What are the fictions that shape Canadian engagements with the global? What frictions emerge from these encounters? In negotiating aesthetic and political approaches to Canadian cultural production within contexts of global circulation, this collection argues for the value of attending to narratorial, lyric, and theatrical conventions in dialogue with questions of epistemological and social justice. Using the twinned framing devices of crosstalk and cross-sighting, the contributing authors attend to how the interplay of the verbal and the visual maps public spheres of creative engagement...

Cultural Grammars of Nation, Diaspora, and Indigeneity in Canada considers how the terms of critical debate in literary and cultural studies in Canada have shifted with respect to race, nation, and difference. In asking how Indigenous and diasporic interventions have remapped these debates, the contributors argue that a new "cultural grammar" is at work and attempt to sketch out some of the ways it operates.

The essays reference pivotal moments in Canadian literary and cultural history and speak to ongoing debates about Canadian nationalism, postcolonalism, migrancy, and...

The essays in this volume were originally presented at a workshop held at the University of Calgary on August 1-5, 1977 and sponsored by the Calgary Institute for the Humanities. The phrase "the new land" underwent careful scrutiny and reassessment during the course of the conference, and the insights that resulted from the readings and discussions were of considerable value to participants and observers alike. Chronologically and thematically the essays cover a wide range: from La Nouvelle France as seen by the early missionaries and by the French Romantic writer Chateaubriand to...

This lively and diverse bilingual collection of essays by writers and critics examines contemporary Canadian literary arts. The perspectives range from highly personal and introspective to scholarly and objective, yet each adds significantly to an understanding of the dialogue between writers and readers. Proceedings from a workshop held at the Calgary Institute for the Humanities during the summer of 1982, the volume includes such contributors as E.D. Blodgett, Jacques Brault, Richard Giguere, D.G. Jones, Myrna Kostash, Peter Stevens, Aritha van Herk, and Christopher Wiseman.

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