Kategoria BISAC: Language Arts & Disciplines >> Writing - Authorship

In The Impossible Craft, Scott Donaldson explores the rocky territory of literary biography, the most difficult that biographers try to navigate. Writers are accustomed to controlling the narrative, and notoriously opposed to allowing intruders on their turf. They make bonfires of their papers, encourage others to destroy correspondence, write their own autobiographies, and appoint family or friends to protect their reputations as official biographers. Thomas Hardy went so far as to compose his own life story to be published after his death, while falsely assigning authorship to...

The Writer's Reader is an anthology of essays on the art and life of writing by major writers of the past and present.

These essays offer a wealth of insights into how writers approach their craft and represent a practical resource as well as a source of inspiration. The writings collected here range from classic to less well-known, historical to contemporary, and include, for example, essays on the vocation of writing by Natalia Ginzburg, John Berger, Edwidge Danticat, Julia Alvarez, and Flannery O'Connor; thoughts on preparing for writing by Roberto Bolano, Henry Miller,...

The Writer's Reader is an anthology of essays on the art and life of writing by major writers of the past and present.

These essays offer a wealth of insights into how writers approach their craft and represent a practical resource as well as a source of inspiration. The writings collected here range from classic to less well-known, historical to contemporary, and include, for example, essays on the vocation of writing by Natalia Ginzburg, John Berger, Edwidge Danticat, Julia Alvarez, and Flannery O'Connor; thoughts on preparing for writing by Roberto Bolano, Henry Miller,...

What keeps a reader curious? It's the story. You might have a dazzling prose voice and plausible characters, but if they don't do anything, the reader is likely to lose interest. So where do you find story ideas? How do you make them into a captivating read? What's your personal vision? Do you know what genre you are best suited to write? What is literary fiction and how do you write that? How will you give your book depth without seeming preachy or bringing the plot to a standstill? What are the hidden structural patterns that ply the reader's emotions, regardless of your genre or style?...

The purpose of Point of View, first published in 1990, is twofold: from the perspective of linguistics, to analyse the discourse structure of texts; from the perspective of literary studies, to explain certain non-linguistic aspects of the texts in terms of linguistic form. This study therefore aims to provide a balanced and sufficiently comprehensive account of the relationship between linguistic form and point of view. It will be of particular value to literature students with an interest in linguistics, and literary style.

This volume explores a dimension of authorship not given its due in the critical discourse to this point-authorship contested. Much of the existing critical literature begins with a text and the proposition that the text has an author. The debates move from here to questions about who the author is, whether or not the author's identity is even relevant, and what relationship she or he does and does not have to the text. The authors contributing to this collection, however, ask about circumstances surrounding efforts to prevent authors from even being allowed to have these questions asked...

With insight, humor, and practicality, Natalie Goldberg inspires writers and would-be writers to take the leap into writing skillfully and creatively. She offers suggestions, encouragement, and solid advice on many aspects of the writer's craft: on writing from "first thoughts" (keep your hand moving, don't cross out, just get it on paper), on listening (writing is ninety percent listening; the deeper you listen, the better you write), on using verbs (verbs provide the energy of the sentence), on overcoming...

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows.

The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and...

For nearly ninety years, the Strand Book Store has been a New York institution, a legendary mecca for readers throughout the five boroughs, across the country, and around the world. Featuring freewheeling and behind-the-scenes conversations between renowned novelists, playwrights, and poets on how they work, think, and live, Upstairs at the Strand captures the happy collision of books and ideas in the Strand's famed reading series in its Rare Book Room.

Upstairs at the Strand is indispensable for aspiring writers, readers of contemporary literature, and devoted fans...