Kategoria BISAC: Gardening >> Garden Design

Between 1937 and 1938, garden designer Christopher Tunnard published a series of articles in the British Architectural Review that rejected the prevailing English landscape style. Inspired by the principles of Modernist art and Japanese aesthetics, Tunnard called for a "new technique" in garden design that emphasized an integration of form and purpose. "The functional garden avoids the extremes both of the sentimental expressionism of the wild garden and the intellectual classicism of the 'formal' garden," he wrote; "it embodies rather a spirit of rationalism and through an...

The New Zen Garden enlivens a tradition dating back 1500 years and introduces the contemplative Japanese space in all its varied forms. Author Joseph Cali guides you through the basics of theory, design, and construction, blending age-old techniques with modern innovation.

Beginning with a brief history of the spiritual and cultural aspects of the Japanese garden, Cali reveals the underpinnings of the gardener's art. In simple and straightforward terms, Cali presents a broad range of modern stone and sand gardens, provides a detailed outline of the history of Japanese...

The New Zen Garden enlivens a tradition dating back 1500 years and introduces the contemplative Japanese space in all its varied forms. Author Joseph Cali guides you through the basics of theory, design, and construction, blending age-old techniques with modern innovation.

Beginning with a brief history of the spiritual and cultural aspects of the Japanese garden, Cali reveals the underpinnings of the gardener's art. In simple and straightforward terms, Cali presents a broad range of modern stone and sand gardens, provides a detailed outline of the history of Japanese...

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the...

The history of the garden in the Renaissance, traced from the late fourteenth century in Italy to the death of Andre Le Notre in 1700 in France, is a story both of dynamism and codification. The period saw the emergence of what would become archetypal elements of the formal garden and the fixing of theory and language of the garden arts.

At the same time, newly important sciences, developments in engineering, as well as globalization, historicity, and theories of aesthetics were embraced in the construction of such gardens. The result was the notion of the landscape as something to...

The Enlightenment raised fundamental quetions about what it meant to be human in a truly global world. At the heart of debates about nature, culture and history, the garden offered itself as a practical demonstration, a living experiment, and a site of debate and discourse.

The design, planting, experience and representation of contemporary gardens in Europe, China and North America reveal intense contributions to debates on aesthetics, both personal and national politics, and on the shaping of nature.

As much as the nineteenth and early twentieth century gardens and their designs were a product and representation of industrialisation and urbanisation, they were also motors of change. Gardens became an industry in and of themselves. They were both the last resting places of the dead and cultivated plots for surv ival. Gardens were therapeutic environments regarded as civilising, socialising and assimialting institutions, and they were designed and perceived as social landscapes and community playgrounds.

Rich with symbolism, gardens were treated as the subject and the setting for...