Kategoria BISAC: Gardening >> Garden Design

Relatively few people in America build their own homes, but many yearn to make the places they live in more truly their own. Yard Art and Handmade Places profiles twenty homemakers who have used their yards and gardens to express their sense of individuality, to maintain connections to family and heritage, or even to create sacred spaces for personal and community refreshment and healing. Jill Nokes, an authority on native plants and ecological restoration, traveled across the state of Texas, seeking out residents who had transformed their yards and gardens into oases of art...

As well as food and medicine, the medieval garden provided pleasure, repose and refreshment to the senses. From detailed manuscript descriptions and illustrations, Sylvia Landsberg builds up a picture of the various styles of garden from the small enclosed herber with plant borders, turf benches, and rose-covered trellises, to the vast cultivated parks of royalty and nobility. Amongst the species she finds in a fifteenth-century plant inventory are the familiar violet, lily and columbine, sage, basil and sorrel, pear, apple and vine, all still available to the modern...

Garden and Grove is a pioneering study of the English fascination with Italian Renaissance gardens. John Dixon Hunt studies reactions of English visitors in their journals and travel books to the exciting world of Italian gardens: its links with classical villas, with Virgil and farming, with Ovid and metamorphosis, its association with theater, its variety, its staged debates between art and nature. Then he looks at what English visitors made of these Italian garden experiences upon their return home and at how they created Italianate gardens on their estates, on their stages, and...

The park of lawns, trees, and serpentine lakes in a picturesque composition of greens has long been viewed as the enduring achievement of eighteenth-century English landscape art. Yet this conventional view of the picturesque style ignores the colorful flowers and flowering shrubs that graced the landscape garden of the Georgian era.

While the book is primarily devoted to the historical reconstruction of the formal and horticultural characteristics of "theatrical" shrubberies and flowerbeds, it also aims to animate the world of the eighteenth-century pleasure ground. Mark Laird shows...

In a letter to Sir Thomas Browne about his proposed magnum opus on gardens, John Evelyn stated his purpose: "to refine upon some particulars, especially concerning the ornaments of Gardens, which I shal endeavor so to handle that persons of all conditions and faculties, which delight in Gardens, may therein encounter something for their owne advantage."

In his Elysium Britannicum, or The Royal Gardens, Evelyn indeed produced a rich document, an assemblage of the horticultural knowledge and wisdom of the seventeenth century. An intriguing intellectual whom many have called a...

C.C.L. Hirschfeld was perhaps the most important writer on gardens and landscape in eighteenth-century Germany. Acclaimed as the "father of landscape garden art," he was influential not just in Germany but also in France, Hungary, Italy, the Netherlands, Scandinavia, and Russia. Popular with both experts and amateurs, Hirschfeld's writings had a significant effect on the development of European garden design, as well as on the establishment of public parks of his era. His celebration of the natural world sprang from his intellectual roots in Enlightened rationalism, but rather than...

The gardens and estate of La Foce constitute one of the most important and best kept early twentieth-century gardens in Italy. Amid 3,500 acres of farmland in the countryside near Pienza, with sweeping views of the Tuscan landscape, La Foce was the childhood dream garden of the late writer Marchesa Iris Origo. Passionate about the order and symmetry of Florentine gardens, Origo and her husband, Antonio, purchased the dilapidated villa in 1924, soliciting the help of English architect and family friend Cecil Pinsent to reawaken the natural magic of the property. Pinsent designed the...

In the absence of any modern history of French garden art, this volume offers twelve chapters that review some of the most interesting and innovative moments of French garden history. This series of studies traces a progression from what is taken as the golden age of French garden art, in the late seventeenth century, up to the present, when a renaissance of French design theory and practice is clearly visible.

By exploring the contributions of such important designers as Jean-Marie Morel and Claude-Henri Watelet, these essays argue for a tradition that includes, but is by no means...