Kategoria BISAC: Drama >> Ancient & Classical

Medieval Arras was a thriving town on the frontier between the kingdom of France and the county of Flanders, and home to Europe's earliest surviving vernacular plays: The Play of St. Nicholas, The Courtly Lad of Arras, The Boy and the Blind Man, The Play of the Bower, and The Play about Robin and about Marion.

In A Common Stage, Carol Symes undertakes a cultural archeology of these artifacts, analyzing the processes by which a handful of entertainments were conceived, transmitted, received, and recorded during the thirteenth...

Sophocles' Oedipus Tyrannus is the most famous of ancient tragedies and a literary masterpiece. It is not, however, the only classical dramatization of Oedipus' quest to discover his identity. Between four and five hundred years after Sophocles' play was first performed, Seneca composed a fine, but neglected and often disparaged Latin tragedy on the same subject, which, in some ways, comes closer to our common understanding of the Oedipus myth. Now, modern readers can compare the two versions, in new translations by Frederick Ahl.

Balancing poetry and clarity, yet staying...

Ahl's translations of three Senecan tragedies will gratify and challenge readers and performers. With stage performance specifically in mind, Ahl renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies.

In this powerful and imaginative translation of Medea, Frederick Ahl retains the compelling effects of the monologues, as well...

The plays translated in this volume represent everything one would not expect either from the third-century B.C. playwright Plautus or from Roman comedy in general.

A common theme in all three comedies is the triumph of women over men. In Truculentus, prostitutes snare all of the men in the play; in Bacchides, the victims include fathers and sons. In Casina, Plautus creates a fantasy that turns traditional social and sexual roles upside down. The plays' mordant, cynical treatment of the normal plots and casts of Roman comedy, their dark humor rooted in...

In English translations that achieve a lively readability without sacrificing the dramatic and comic impact of the original Latin, this volume presents all six comedies: The Girl from Andros (Andria), The Self-Tormentor (Heautontimorumenos), The Eunuch (Eunouchus), Phormios, The Brothers (Adelphoe), and Her Husband's Mother (Hecyra).

Are there no limits to human cruelty? Is there any divine justice? Do the gods even matter if they do not occupy themselves with rewarding virtue and punishing wickedness? Seneca's plays might be dismissed as bombastic and extravagant answers to such questions--if so much of human history were not -Senecan- in its absurdity, melodrama, and terror. Here is an honest artist confronting the irrationality and cruelty of his world--the Rome of Caligula, Claudius, and Nero--and his art reflects the stress of the encounter. The surprise, perhaps, is that Seneca's world is so like our own.

-The works of Plautus, - writes Palmer Bovie, -mark the real beginning of Roman literature.- In these lively new translations, which effectively communicate the vitality and verve of the originals, the plays of Plautus are accessible to a new generation.

Plays and translators:

Volume 1: Amphitryon, Constance Carrier. Miles Gloriosus, Erich Segal. Captivi, Richard Moore. Casina, Richard Beacham. Curculio, Henry Taylor

Volume 2: Rudens, Constance Carrier. Aulularia, Palmer Bovie. Bacchides, James Tatum....

Is Sophocles the poet -more important- than Sophocles the moralist, Sophocles the student of character, or Sophocles the storyteller? In this acclaimed work, eminent classicist Richmond Lattimore examines the complex and varied ways in which Greek poetry contributes to Greek drama. While acknowledging the difficulty of separating poetry--especially in translation--from other aspects of language, Lattimore offers keen insight into plays by Aeschylus ( The Suppliant Maidens, The Persians, The Seven against Thebes, Prometheus Bound), Sophocles ( Ajax,...

The comedies of Aristophanes are known not only for their boldly imaginative plots but for the ways in which they incorporate and orchestrate a wide variety of literary genres and speech styles. Unlike the writers of tragedy, who prefer a uniformly elevated tone, Aristophanes articulates his dramatic dialogue with striking literary and linguistic juxtapositions, producing a carnivalesque medley of genres that continually forces both audience and reader to readjust their perspectives. In this energetic and original study, Charles Platter interprets the complexities of Aristophanes' work...

Euripides' Alcestis--perhaps the most anthologized Attic drama--is an ideal text for students reading their first play in the original Greek. Literary commentaries and language aids in most editions are too advanced or too elementary for intermediate students of the language, but in their new student edition, C. A. E. Luschnig and H. M. Roisman remedy such deficiencies.

The introductory section of this edition provides historical and literary perspective; the commentary explains points of grammar, syntax, and vocabulary, as well as elucidating background features such as dramatic...