Kategoria BISAC: Biography & Autobiography >> Literary Figures

"How should we read Lolita? The beginning of an answer is that we should read it the way all great works deserve to be read: with attention and intelligence. But what sort of attention should we pay and what sort of intelligence should we apply to a work of art that recounts so much love, so much loss, so much thoughtlessness and across which flashes something we might be tempted to call evil? To begin with, we should read with the attention and intelligence we call empathy. A point on which all readers can agree is that great literature offers us a lesson in empathy: it encourages us to...

In 1995 Fragments, a memoir by a Swiss musician named Binjamin Wilkomirski, was published in Germany. Hailed by critics, who compared it with the masterpieces of Primo Levi and Anne Frank, the book received major prizes and was translated into nine languages. The English-language edition was published by Schocken in 1996. In Fragments, Wilkomirski described in heart-wrenching detail how as a small child...

This is the seventh volume of the daily record, over the last four years of Walt Whitman s life, of his conversations with his young friend and literary executor Horace Traubel.

Traubel managed Whitman s literary and personal affairs and assisted him in the preparation for publication of the final (Deathbed) edition of "Leaves of Grass. "Each evening he wrote down a brief description of how Whitman appeared to him that day and then recorded all the snatches of conversation that he remembered.

The sheer consistency of Traubel s effort is perhaps without precedent in all of literature....

Colley Cibber changed the course of the English-speaking theater. One of the most complete theater men in the history of the stage, he fostered the change from drama as the handmaiden of literature to theater as an independent and lively art. In the process, Cibber became one of London's brightest stars, one of its most popular playwrights and, for thirty years, manager of the most important theater in England, Drury Lane.

Yet above all, Cibber was an actor, and this fact governed his life and career. In his plays, he demonstrated a remarkable awareness of the audience in the...

Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging...