Kategoria BISAC: Art >> Film & Video

A sharp, funny book about comedy screenwriting from a successful screenwriter that uses recent as in "this century" movies you've actually seen as examples.

Greg DePaul (Screenwriter, "Bride Wars," "Saving Silverman") has sold scripts to Miramax, Fox, Disney, New Line, Sony, MGM and Village Roadshow. He's worked with comedy stars like Jack Black, Kate Hudson, Jason Biggs and Amanda Peet.

Now Greg takes everything he knows about writing comedy and breaking into the biz, tosses it into a blender and serves up this tasty, fat-free smoothie of a book that s easy to read, brutally honest,...

A celebration of the work of Ken Russell. A portrait of the man and his art from the 1950s to the great films of the 1960s and 1970s, the cult films of the 1980s, through to the digital short films with which he ended his career. Talking About Ken Russell includes hundreds of exclusive interviews with Russell and the people who worked with him, and includes, for example, the first-hand testimonies of more than a dozen people who worked on Women in Love, and twenty-three members of the cast and crew of The Devils. Actors, editors, designers, continuity...

Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century s end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than...

This book contributes to the analysis of film from a multimodal and textual perspective by extending formal semantics into the realm of multimodal discourse analysis. It accounts for both the inferential as well as intersemiotic meaning making processes in filmic discourse and therefore addresses one of the main questions that have been asked within film theory and multimodal analysis: How do we understand film and multimodal texts? The book offers an analytical answer to this question by providing a systematic tool for the description of this comprehension process. It aims to advance...

You've just bought your ticket to the 8:30 show. You are in your seat, and the coming attractions are over. Now, it's time for the feature, and this book is it. The author is uniquely qualified to tell you this story because he has personally lived the entire plot, and known every one of the characters.

From James Bond to the Beatles, from Saturday Night Fever to Grease, from Daniel Day-Lewis to Dustin Hoffman, from Steve Martin to Cheech and Chong. As President of United Artists, Paramount and Columbia, producer of The Jerk, Lenny and The Crucible, he's seen it all, loved it all (well,...

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinema et de la television de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern...

In addition to a selection of contemporary mainstream films, the major films for analysis are New Zealand "New Wave" films such as Alison Maclean's Kitchen Sink and Crush; Vincent Ward's Vigil; and Jane Campion's Sweety, An Angel at My Table, and The Piano.