Kategoria BISAC: Art >> Film & Video

A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in...

The Corporate Media Toolkit offers corporate writers, producers and directors an accessibly written, hands-on guide to practical techniques important in producing high-quality, nuanced work in a corporate environment. Exploring each phase of media development--project inception, client interactions, scriptwriting, preproduction, casting, auditions, production and postproduction--author Ray DiZazzo teaches readers how to "know what works" in corporate media, as well as an ability to focus on the nuance and subtleties that elevate typical media to a higher quality standard, whether...

Introduced by a comprehensive account of the factors governing the adaptation of stage plays and musicals in Hollywood from the early 1910s to the mid-to-late 1950s, Screening the Stage consists of a series of chapter-length studies of feature-length films, the plays and musicals on which they were based, and their remakes where pertinent. Founded on an awareness of evolving technologies and industrial practices rather than the tenets of adaptation theory, particular attention is paid to the evolving practices of Hollywood as well as to the purport and structure of the plays and stage...

The 100th anniversary of cinema was marked throughout the world in 1995/6. Amongst the widespread celebrations it was largely overlooked that genuine motion pictures had been commercially shown 101 years earlier, and that the origins of the film industry lay in a peepshow device rather than the more familiar movie projector. Introduced in New York in April 1894 and in Paris and London later in the same year, Thomas Edison's electrically-driven Kinetoscope was the first practical method of film exhibition. Around a thousand of these state-of-the art machines were manufactured, featuring the...

Nordisk Films Kompagni 1906-1924: The Rise and Fall of the Polar Bear is the first comprehensive study of the Danish film company, Nordisk Films Kompagni, in the silent era. Based on archival research, primarily in the company's surviving business archives, this volume of KINtop describes and analyzes how Nordisk Film became one of the leading players in the world market and why the company failed to maintain this position. Written from perspective of Nordisk Film as a business and organization, from its establishment in 1906 until 1924 when founder Ole Olsen stepped back, this volume...

Have you ever wondered why 007 is James Bond's numerical designation? Or where the name Luke Skywalker comes from? How about all those giant faces that pass judgment on General Zod and his lieutenants at the beginning of 1978's Superman? What's behind the symbolism of all those mirrors in Black Swan? Cinema Symbolism: A Guide to Esoteric Imagery in Popular Movies answers these questions; it is about occult, numerological, astrological, mythological, alchemical, Tarot, and kabbalistic iconography and symbolism contained within popular movies. Films analyzed...

The Corporate Media Toolkit offers corporate writers, producers and directors an accessibly written, hands-on guide to practical techniques important in producing high-quality, nuanced work in a corporate environment. Exploring each phase of media development--project inception, client interactions, scriptwriting, preproduction, casting, auditions, production and postproduction--author Ray DiZazzo teaches readers how to "know what works" in corporate media, as well as an ability to focus on the nuance and subtleties that elevate typical media to a higher quality standard, whether...

Most widely known for his filmic productions, Ra?l Ruiz (1941-2011) was a highly prolific, erudite, and innovative artist, whose work is located at the intersection of diverse locations, languages, and aesthetic traditions. Ruiz's eclectic body of work includes over one hundred films (among them features, shorts, television serials, and videos), books on the theory of cinema, genre-defying fiction books, plays, a radio show, and a multimedia installation. Ra?l Ruiz's Cinema of Inquiry posits the unity of Ruiz's body of work and investigates the similarities between his very diverse...

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice, Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make...

Showing and Telling is the first academic work to explore how publicly funded film heritage institutes account for their mandate in their public activities. It does that by inspecting and evaluating public presentations and visitor information about these presentations. The research was done by juxtaposing two complementary approaches. The first is grounded in the author's experience as a collection researcher and curator and makes a case for the richness of archival objects usually ignored for their lack of aesthetic qualities. The second is a survey of the public activities of 24...