Kategoria BISAC: Art >> Caribbean & Latin American

Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed...

This important and welcome volume is the first English-language anthology of writings on Latin American modern art of the twentieth century. The book includes some fifty seminal essays and documents--including statements, interviews, and manifestoes by artists--that encompass the broad diversity of this emerging field. Many of these materials are difficult to access and some are translated here for the first time. Together the selections explore the breadth and depth of Latin American modern art as well as its distinctive evolution apart from American and European art history.
Included...

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an...

In 1996 Mexico's Museo Nacional de Arte acquired a remarkable dossier of text and images that included an eighteenth-century document requesting permission to carry out a specific iconographic program in Tlaxcala. This discovery planted a seed that grew into Jaime Cuadriello's landmark work Las glorias de la Republica de Tlaxcala, now available in English for the first time.

In 1789 don Ignacio Mazihcatzin, the Indian pastor of Yehualtepec, commissioned noted regional artist Jose Manuel Yllanes to do a set of oil paintings for his parish church. As a formal record of...

This Mexico-themed issue of The Journal of Decorative and Propaganda Arts opens up new perspectives in the field of twentieth-century Mexican art and visual culture. It brings together research on a wide array of understudied developments in architecture, painting, decorative arts, propaganda and other media and reveals that Mexican modernism was more multifaceted than is typically proposed.

The essays collected here look beyond the most well-known aspects of postrevolutionary Mexican culture. Together, they provide an expanded portrait of the so-called Mexican Renaissance...

An insightful and clear discussion of the world of contemporary black art in Brazil. Cleveland s handling of the ways and means through which these artists deal with artistic production and its intersection with broader sociocultural and racial matters is spot-on. This is an important contribution to Afro-Brazilian studies. Anani Dzidzienyo, Brown...