Kategoria BISAC: Art >> Caribbean & Latin American

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an...

Illustrations from the Tovar Codex in 44 full page color plates

The Tovar Codex (also known as the Ramirez Codex) is a 16th century Mexican manuscript entitled Relacion del origen de los indios que habitan esta Nueva Espana segun sus Historias (lit. Relation of the origin of the Indians who inhabit this New Spain according to their histories). The codex narrates the history of the Aztecs from their gradual migration into the Anahuac valley to the fall of Tenochtitlan. Attributed to Juan de Tovar (1543-1623), a Jesuit priest and writer, most scholars believe that the work is...

The Relacion de Michoacan (1539-1541) is one of the earliest surviving illustrated manuscripts from colonial Mexico. Commissioned by the Spanish viceroy Antonio de Mendoza, the Relacion was produced by a Franciscan friar together with indigenous noble informants and anonymous native artists who created its forty-four illustrations. To this day, the Relacion remains the primary source for studying the pre-Columbian practices and history of the people known as Tarascans or P'urhepecha. However, much remains to be said about how the Relacion's colonial setting...

Moteuczoma, the last king who ruled the Aztec Empire, was rarely seen or heard by his subjects, yet his presence was felt throughout the capital city of Tenochtitlan, where his deeds were recorded in hieroglyphic inscriptions on monuments and his command was expressed in highly refined ritual performances. What did Moteuczoma's "fame" mean in the Aztec world? How was it created and maintained? In this innovative study, Patrick Hajovsky investigates the king's inscribed and spoken name, showing how it distinguished his aura from those of his constituencies, especially other Aztec nobles,...

From currency and maps to heavily censored newspapers and television programming, Art Systems explores visual forms of critique and subversion during the height of Brazilian dictatorship, drawing sometimes surprising connections between artistic production and broader processes of social exchange during a period of authoritarian modernization. Positioning the works beyond the prism of politics, Elena Shtromberg reveals subtle forms of subversion and critique that reinvented the artists' political terrain.

Analyzing key examples from Cildo Meireles, Antonio Manuel, Artur...

Spanning from the 1876 exposition in Philadelphia, through Paris 1889, and culminating in Paris 1900, this book examines how Argentina, Brazil, and Mexico forged the image of a modernizing Latin America at the moment of their insertion into the new visual economy of capitalism.

The Museum of Modern Art (MoMA) is widely recognized as the preeminent institution that defined twentieth-century art through its collection shaping our understandings of the history of art, with its hierarchies and exclusions, as they sediment over time. MoMA s lesser-known holdings of art from Latin America shed light on a key period which created stylistic categories that have since come to be accepted by many today as the Modernist canon. This study sheds light on an as yet unstudied aspect of MoMA s preeminent role in establishing the definition of the problematic term "Latin American...

Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen Suarez also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness.

This study brings to light the fact...