Kategoria BISAC: Art >> Art & Politics

A History of Caricature and Grotesque

In Literature and Art

By Thomas Wright

FULLY ILLUSTRATED

The Illustrations Drawn and Engraved by F. W. Fairholt

I have felt some difficulty in selecting a title for the contents of the following pages, in which it was, in fact, my design to give, as far as may be done within such moderate limits, and in as popular a manner as such information can easily be imparted, a general view of the History of Comic Literature and Art. Yet the word comic seems to me hardly to express all the parts of the subject which I have sought to bring together in...

"Wallace Shawn is up to his old tricks again: pricking the conscience of right-on, left-leaning theatergoers. No one does that better than this impish, idiosyncratic polymath, who, at seventy-two, still comes across as precocious--probably because we resent him flagging our complacent complicity in all the world's ills."--Variety

"The play stops, but has no ending. It is for us to try to answer its bleak questions, to see what it might mean to be undeluded."--The Guardian

Gathering around a table at the Talk House, an old haunt, a group of friends and theatre...

Since the early decades of the eighteenth century, European, and especially British, thinkers were preoccupied with questions of taste. Whether Americans believed that taste was innate--and therefore a marker of breeding and station--or acquired--and thus the product of application and study--all could appreciate that taste was grounded in, demonstrated through, and confirmed by reading, writing, and looking. It was widely believed that shared aesthetic sensibilities connected like-minded individuals and that shared affinities advanced the public good and held great promise for the...

Born in Qazvin, Iran, in 1944, Koorosh Shishegaran is considered one of the most expressive and emotive artists of the contemporary Iranian art movement.

In a career spanning six decades, he has established himself as an artist of great discipline, social awareness and manual skill, working in a wide array of different media, from graphic design to painting, photography and furniture design.

Drawing inspiration from Iranian visual culture, Shishegaran is best known for his scribble line abstract paintings (Khat-khatis). These dynamic colourful lines, depicting the...

World War I had a profound impact on American art and culture. Nearly every major artist responded to events, whether as official war artists, impassioned observers, or participants on the battlefields. It was the moment when American artists, designers, and illustrators began to consider the importance of their contributions to the wider world and to visually represent the United States' emergent role in modern global politics. World War I and American Art provides an unprecedented consideration of the impact of the conflict on American artists and the myriad ways they reacted to...

By the time of his death in 1904, critics, arts reformers, and government officials were near universal in their praise of Art Nouveau designer Emile Galle (1846-1904), whose works they described as the essence of French design. Many even went so far as to argue that the artist's creations could reinvigorate France's fading arts industries and help restore its economic prosperity by defining a modern style to represent the nation. For fin-de-siecle viewers, Galle's works constituted powerful reflections on the idea of national belonging, modernity, and the role of the arts in political...

Performing arts centers (PACs) are an integral part of the cultural and creative industries, significantly influencing the cultural, social, and economic vitality of communities around the world. Virtually all PACs are community-based and serve the public interest, whether structured as a public, nonprofit, for-profit, or hybrid entity. However, there is a lack of knowledge about the important community role of performing arts centers, especially those that mainly host and present work produced by other arts organizations. This gap is startling, given the ubiquitous presence of PACs in...

A leading member of the new Afro-Cuban cultural movement, visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. His "history"--a term he frequently inserts in his works using the visual language of graffiti--is not the official narrative of a racially harmonious nation, built thanks to the selfless efforts of generous white patriots. Diago's Cuba is a nation built on pain, rape, greed, and the enslavement of millions of displaced Africans, a nation still grappling with the long-term effects of slavery and colonialism....

Culture and Consensus, first published in 1995 and a revised edition in 1997, explores the history of the relationship between politics and the arts in Britain since 1940, and shows how the search for a secure sense of English identity has been reflected in official and unofficial attitudes to the arts, architecture, landscape and other emblems of national significance.

Illustrating his argument with a series of detailed case histories, Robert Hewison analyses how Britain's cultural life has reached its present enfeebled condition and suggests a way forward. This book will...

Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from...