Kategoria BISAC: Art >> Subjects & Themes - Religious

Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed...

Pontius Pilate is one of the Bible's best-known villains--but up until the tenth century, artistic imagery appears to have consistently portrayed him as a benevolent Christian and holy symbol of baptism. For the first time, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art provides a complete look at the shifting visual and textual representations of Pilate throughout early Christian and medieval art. Colum Hourihane examines neglected and sometimes sympathetic portrayals, and shows how negative characterizations of Pilate, which were developed for political and...

An introduction to the theology of art and the art of theology.

In the second edition of "Sacred Passion," biographer Gregory Wolfe chronicles the artistic career of William Schickel (1919-2009) in the years since the original 1998 publication of this book by the University of Notre Dame Press. There are two new chapters, one on Schickel's recent contributions to the built environment in several communities, and the other on his recent paintings. There are 70 new color images, in addition to the 189 from the first edition, many of which have been replaced or enhanced.

William Schickel was born in Stamford, Connecticut in 1919 and raised in Ithaca,...

His life after Christ's death and his subsequent conversion to Christianity with his Wife, after meeting with and discussing his...

Over the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to...

This book teaches the Laws of God and deals with issues that pertain to the laws of the legal Justice system to help you become encouraged and find love again.

Saints and Signs analyzes a corpus of hagiographies, paintings, and other materials related to four of the most prominent saints of early modern Catholicism: Ignatius of Loyola, Philip Neri, Francis Xavier, and Therese of Avila.
Verbal and visual documents - produced between the end of the Council of Trent (1563) and the beginning of the pontificate of Urban VIII (1623) - are placed in their historical context and analyzed through semiotics - the discipline that studies signification and communication - in order to answer the following questions: How did these four saints...

When works of art created for religious purposes outlive their original function, they often take on new meanings as they move from sacred spaces to secular collections. Religious art embodies a complicated amalgam of the aesthetic and the numinous, and the fourteen essays in this volume explore how the admixture changes--often
radically--with changes of function, setting, audience, and the passage of time.

Focusing on the centuries in which the phenomenon of collecting came powerfully into its own, these essays analyze the radical recontextualization of celebrated paintings by...

Although Raphael has long been recognized as one of the great innovators of visionary painting (images of supernatural phenomena, including apparitions and prophetic visions), the full measure of his achievement in this area has never been taken. Vision and the Visionary in Raphael redresses this oversight by offering an expansive reading of these works within their contemporary artistic and religious contexts. At the center of the book is Raphael's engagement with one of the critical conflicts in the Renaissance understanding of vision. Whereas artistic theory emphasized...

Passage into the modern world left the Russian icon profoundly altered. It fell into new hands, migrated to new homes, and acquired new forms and meanings. Icons were made in the factories of foreign industrialists and destroyed by iconoclasts of the proletariat. Even the icon's traditional functions--whether in the feast days of the church or the pageantry of state power--were susceptible to the transformative forces of modernization. In Alter Icons: The Russian Icon and Modernity, eleven scholars of Russian history, art, literature, cinema, philosophy, and theology track key...