It will come as a surprise to many that a wealth of Gothic art and architecture can still be found in Ireland. This groundbreaking book examines for the first time the most westerly expression of Gothic--on the edge of Europe--and traces its development from the beginning of the thirteenth century to the Reformation. Colum Hourihane offers new insights into Gothic Irish art, and he presents a revised view of art in Ireland in the Middle Ages. Brought to Ireland by the Anglo-Normans and religious reform movements, the style was adopted and adapted locally, first appearing in monastic...
It will come as a surprise to many that a wealth of Gothic art and architecture can still be found in Ireland. This groundbreaking book examines for t...
The Index of Christian Art, founded in 1917, is today recognized as the premier resource for Christian and medieval iconography up to 1400. To mark its eightieth anniversary, seventeen scholars contributed papers to this volume, which focuses on the Index's twin strengths: iconography and methodology. From the heterogeneous imagery of the Crusaders to the repellent iconography of social rejection, from the significance of gruesome torture scenes to the moral precepts that shaped the enigmatic Ashburnham Pentateuch, the studies in the first part of Image and Belief provide...
The Index of Christian Art, founded in 1917, is today recognized as the premier resource for Christian and medieval iconography up to 1400. To mark...
The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant themes in the history of Christian art. The complex interrelationship of these moral traits received considerable study in the medieval period, resulting in a vast and elaborate system of imagery that has been largely neglected by modern scholarship. Rich resources for the study of this important subject are made available by this volume, which publishes the complete holdings of the more than 230 personifications of Virtues and Vices in the Index of...
The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant theme...
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned.
The studies cover art from the Late Antique...
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the m...
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned.
The studies cover art from the Late Antique...
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the m...
Iconography, the descriptive and classificatory investigation of subject matter in the arts (and often associated with Erwin Panofsky), has been central to art history since the early twentieth century. In this volume from the Index of Christian Art, a group of distinguished scholars makes skilled use of the methodology to examine a number of significant medieval manuscripts, including the Morgan Picture Bible.
Although iconography is often regarded as a means of analyzing the content of a work of art, the essays in Between the Picture and the Word draw upon the methodology...
Iconography, the descriptive and classificatory investigation of subject matter in the arts (and often associated with Erwin Panofsky), has been ce...
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University.
The measurement and documentation of time has been a universal issue since the dawn of civilization--and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the...
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the com...
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, long considered naive and provincial, are now being reconsidered for their complex liturgical and theological significance.
The essays in this...
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries h...
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries have been made in the Near East. Moving beyond the confines of Jerusalem and Carthage, this volume considers the art of Armenia, Ethiopia, Coptic Egypt, Georgia, Jordan, Lebanon, Syria, and the Mongol East in relation to Byzantium, Cyprus, Italy, and the West. The Christian arts of the Near East, long considered naive and provincial, are now being reconsidered for their complex liturgical and theological significance.
The essays in this...
The medieval world does not end in Western Europe, and within the last twenty or so years some of the most stimulating art-historical discoveries h...
Pontius Pilate is one of the Bible's best-known villains--but up until the tenth century, artistic imagery appears to have consistently portrayed him as a benevolent Christian and holy symbol of baptism. For the first time, Pontius Pilate, Anti-Semitism, and the Passion in Medieval Art provides a complete look at the shifting visual and textual representations of Pilate throughout early Christian and medieval art. Colum Hourihane examines neglected and sometimes sympathetic portrayals, and shows how negative characterizations of Pilate, which were developed for political and...
Pontius Pilate is one of the Bible's best-known villains--but up until the tenth century, artistic imagery appears to have consistently portrayed h...
