Kategoria BISAC: Art >> Sculpture & Installation

Whether you're interested in art history, Native American culture, or the past lives of the city of Seattle, you'll want to know more about early twentieth-century sculptor James A. Wehn.

Encouraged to create art during one of his frequent periods of illness as a youth, he was introduced to his first mentor, painter Rowena Nichols Leinss, in 1895. In 1905, at twenty-three, he started his first studio-distinguishing him as Seattle's "First Sculptor." Native Americans intrigued Wehn from an early age, so it's no surprise that his first completed bust was of Princess Angeline, the...

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Of the conceptual artists who began their careers in the 1960s and 1970s--Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them--Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator's intentions and methods, presenting itself as an "aftermath" of modernism's claim to permanency and civil society's preferred mode of monumentalism.

For Michael Maizels, Le Va's work constitutes a particularly productive subject of inquiry because it clearly articulates the interconnection between the...

Of the conceptual artists who began their careers in the 1960s and 1970s--Bruce Nauman, Chris Burden, Vito Acconci, and Mel Bochner among them--Barry Le Va may be the most elusive. As this first study of his work reveals, his rigorously planned art was instigated to mask its creator's intentions and methods, presenting itself as an "aftermath" of modernism's claim to permanency and civil society's preferred mode of monumentalism.

For Michael Maizels, Le Va's work constitutes a particularly productive subject of inquiry because it clearly articulates the interconnection between the...

Joseph Cornell (1903-1972), the American pioneer of collage, montage, and assemblage art, is sometimes regarded as a solitary star within the constellation of great Surrealists. The essays in Joseph Cornell and Surrealism consider connections between Cornell and the Surrealist group during the 1930s and 1940s, during Cornell's artistic development and the heyday of Surrealism in the United States. He shared with the Surrealists his basic conception of the visual image as the product of poetic juxtaposition. In his best-known works--the collages, small constructions of found...