Kategoria BISAC: Art >> Asian - General

This collection of essays, based on international collaboration by scholars in Japan, South Korea, Taiwan, and the United States, is the first systematic, interdisciplinary attempt to address the social, political, and spiritual significance of the modern arts both in Japan and its empire between 1920 and 1960. These forty years, punctuated by war, occupation, and reconstruction, were turbulent and brutal, but also important and even productive for the arts.

The volume takes a trans-war (rather than an inter-war) approach, beginning with the cultural politics of painting, poetry,...

Radicals and Realists is the first book in any language to discuss Japan's avant-garde artists, their work, and the historical environment in which they produced it during the two most creative decades of the twentieth century, the 1950s and 1960s. Many of the artists were radicals, rebelling against existing canons and established authority. Yet at the same time they were realists in choosing concrete materials, sounds, and themes from everyday life for their art and in gradually adopting tactics of protest or resistance through accommodation rather than confrontation. Whatever the means...

This volume, the second in the series to catalogue the Gallery's collection of decorative arts, mainly draws from the renowned collection of the Widener and Steele families. It focuses primarily on Chinese ceramics from the Qing period, including earthenware, stoneware, and polychrome porcelain. In addition, rugs and carpets from the collection of Peter A.B. Widener are catalogued and published here for the first time.

Traditions Unbound focuses on the work of eight innovative painters who broke new ground in Japanese art. Released from the repressive constraints of the shogunate in Edo and inspired by a new merchant market, they created sometimes radical work that expressed the new freedom enjoyed in the thriving eighteenth-century arts scene of Kyoto. The artists are Watanabe Shiko, Yosa Buson, Matsumura Gekkei (Goshun), Ike Taiga, Maruyama Okyo, Nagasawa Rosetsu, Soga Shohaku, and Ito Jakuchu.

Traditions Unbound is a collaborative project of the Asian Art Museum of San Francisco,...

• Traces the rich artistic traditions in China, Japan, Korea, India, and Southeast Asia across time periods, media, cultural contexts, and geography - from the terracotta armies of the First Emperor of Qin to late 20th-century installation art
  
• Covers both imperially commissioned works and popular, vernacular art
  
• Includes an accessible introduction which provides suggestions of thematic connections...

Bold, iconic designs have been used to symbolize family names in Japan from the time of the court nobles in the twelfth century. The sense of "family" has changed in modern Japan, but the crests' high-contrast motifs and simple geometries are right at home in our logo-emblazoned age, even as the designs express old cultural interests and ideals: cherry blossoms, well buckets, floating clouds. This book contains over 850 family crests (kamon) with descriptions, cultural backgrounds, and a selection of photographs showing how crests are used on banners, signs, and buildings. Of...