Kategoria BISAC: Art >> Individual Artists - General

Das kunstlerische Schaffen wahrend der 60er und 70er Jahre in Wien, Bali und Australien Beleuchtet die musikalischen Seite des Kunstlers - Mitbegrunder der Free-Jazz-Bewegung in Wien, inklusive einem entfaltbaren Leporello vom Monumentalgemalde "The Big Bang."

Trained at the University of South Florida, Robert Stackhouse was born in Bronxville, New York in 1942. By the 1980s Robert Stackhouse was regarded as one of America's most prominent young sculptors and his massive, ribbed installations were known nationwide. He taught at the Corcoran gallery and later returned to live in New York; by the 1990s his installations were going in large public places nationwide, then worldwide.

--Covers the first thirty years of Stackhouse's rise to prominence 1969-1999

--Provides an early biography along with a progression of his work

--Offers family...

Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic material. As Phillippe-Alain Michaud shows in this important book, Warburg's own project was remote from any positivist or neo-Kantian ambitions. Nourished on the work of Nietzsche and Burckhardt, Warburg fashioned a...

Frank Boyden is a highly regarded Oregon ceramic artist and printmaker who has created a stunning body of work based on the flora and fauna of Oregon. Boyden has explored a wide variety of themes in his prints, including animals, the landscape, and most recently, the human figure. An essay by Prudence Roberts places Boyden's work within the context of regional and American art. Ian Boyden discusses his father as a printmaker and book collaborator.

A ceramic artist and printmaker, Boyden has explored a wide variety of themes in his prints over the past twenty years, including animals, the landscape, and most recently, the human figure. In this suite of 96 drypoints, Boyden set out to depict horrendous and abhorrent images of humanity: "characters from creation's ineptitudes, vagaries, vengeances, and sad jokes." In the process of creating the series of three-inch-by-two-inch plates, the artist came to the realization that a process that was born in anger and disillusionment had metamorphosed into a state of empathy.

Included in...