Kategoria BISAC: Art >> History - Modern (Late 19th Century to 1945)

Barcelona is well known as a center of contemporary art and architecture, but that prominence owes much to the creative outpouring it witnessed at the dawn of the twentieth century, when it was known as the "rose of fire." The physical city was transformed by the civil engineer Ildefonso Cerda and the architects Antoni Gaudi and Lluis Domenech. As Barcelona changed around them, modernist artists including Pablo Picasso, Isidre Nonell, and Ramon Casas produced work fueled by and focused on political and humanitarian concerns.

Barcelona 1900 portrays the artistic, cultural,...

Antimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience.

Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out...

The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting...

Since the eighteenth century, artists--especially so-called avant-garde artists--have played a conflicting role in society. Part of the reason for their complex position, argue Raphael Sassower and Louis Cicotello, is the survival of the culture of idolatry in the modern age. In the twentieth century, artists can criticize the worship of material things or they can produce the things themselves. They can paint the scenes of worship of the golden calf--as the German expressionist Emil Nolde did in -Dance Around the Golden Calf- (1910), in which garish exaggerations reflect a condemnation of...

Since the eighteenth century, artists--especially so-called avant-garde artists--have played a conflicting role in society. Part of the reason for their complex position, argue Raphael Sassower and Louis Cicotello, is the survival of the culture of idolatry in the modern age. In the twentieth century, artists can criticize the worship of material things or they can produce the things themselves. They can paint the scenes of worship of the golden calf--as the German expressionist Emil Nolde did in -Dance Around the Golden Calf- (1910), in which garish exaggerations reflect a condemnation of...

In the summer of 2000, the University of Virginia Art Museum mounted an unusual site-specific exhibition called -Hindsight/Fore-site: Art for the New Millennium, - for which twenty-four artists created artworks inspired by Thomas Jefferson's legacy. Artists included Agnes Denes, Ann Hamilton, Martha Jackson-Jarvis, Michael Mercil, the Monacan Indian Council, Todd Murphy, Dennis Oppenheim, Lincoln Perry, and Lucio Pozzi; among the sites featured were Montpelier, Ash Lawn-Highland, the Monticello Visitors' Center, area parks and schools, and the University of Virginia. Charlottesville,...