In this title, David Tatham demonstrates that Winslow Homer's 'Adirondack oils and watercolours constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change.
In this title, David Tatham demonstrates that Winslow Homer's 'Adirondack oils and watercolours constitute a highly original examination of the human ...
This study introduces a little-known aspect of the work of the artist Winslow Homer (1836-1910). In particular, it focuses on his work as an illustrator of books and literary magazines, where, for almost three decades, he pictorialised the works of Bryant, Longfellow, Tennyson and Whittier.
This study introduces a little-known aspect of the work of the artist Winslow Homer (1836-1910). In particular, it focuses on his work as an illustrat...
Winslow Homer (1836-1910) created three distinctly different bodies of work in the course of his long career - paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. This volume reproduces Homer's magazine illustrations.
Winslow Homer (1836-1910) created three distinctly different bodies of work in the course of his long career - paintings, book illustrations, and illu...
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-1947, a singular period of artistic creation. Also three distinguished printmakers, who were active during the 1930s and 1940s, share their recollections of those decades, offering rare, first hand accounts of the political, social, and cultural elements that influenced the artists and their work. Tatham has chosen two watershed events, the Armory Show of 1913 and the important Brooklyn Museum exhibition of 1947, as the temporal bookends for this...
In this collection of essays, eight contemporary scholars examine the rich diversity in the subject, style, and geography of printmaking from 1913-194...
Though a Bostonian by birth and upbringing, Winslow Homer lived and maintained his studio in New York City for twenty-five years, establishing himself as a leading figure in New York's art world. In 1881, determined to broaden his status as a painter, Homer journeyed to Great Britain. During his trip, major changes appeared in nearly everything he did as a painter. The changes came so rapidly during his first months abroad that there can be little doubt that the crucial turning point occurred during his first weeks in London. After his return to New York in November of 1882 and during his...
Though a Bostonian by birth and upbringing, Winslow Homer lived and maintained his studio in New York City for twenty-five years, establishing himself...
