Kategoria BISAC: Art >> History - Renaissance

A sweeping, beautifully written history of artistic patronage from 1000 to the present day by a Wolfson Prize-winning historian.

'Marks of Opulence' is a magisterial survey of European art and artistic patronage from 1000 until the birth of modernism. Tracing the history from the discovery of silver in the Harz mountains, through the catastrophic effects of plague in the 14th-century, to the studied magnificence of papal and royal courts in the 16th- and 17th-centuries, Platt shows how the great and the good have always used art to bolster political power.

Arguing that the...

" A] dazzling book. . . . He has turned out one of the most powerful, as well as one of the most ambitious, art-historical works of the last decade." -- Anthony Grafton, New Republic

"Rich and splendid. . . ....

In Art, Liturgy, and Legend in Renaissance Toledo, Lynette Bosch examines liturgical manuscripts that members of the powerful Mendoza family commissioned for the cathedral of Toledo at a time when it was the symbolic center of the Spanish nation. Using patronage as a filter, Bosch relates the style, content, and function of these lavish manuscripts to the many-sided ritual life of the Cathedral and, beyond that, to its social and political role in efforts to forge Spanish identity in the midst of the Reconquista.

Bosch's study shows that the patrons of the Toledan...

Painting in the Age of Giotto is a revisionist account of central Italian painting in the period 1260 to 1370. The study is the first to discuss Giorgio Vasari's account of the "first age" of the Renaissance in his "Lives" and the character of the historiographical tradition that arose from that account. In opening the tradition to closer scrutiny, Hayden Maginnis explains the origins of many modern views regarding the period and the persistence of critical strategies and conventions that do not correspond to the historical realities.

Those realities are discussed in a...

In this companion to his The Cornucopian Mind and the Baroque Unity of the Arts, Maiorino examines the links between Renaissance and the modern versions of the Groteseque.

In this interdisciplinary study, the term "eccentricity" refers to styles of playful extravagance. Maiorino focuses on the rhetorical figures of excess employed by a critic-historian (Giorgio Vasari), on the willful artificiality of a painter (Giuseppe Arcimboldo), and on the programmatic and interpretive commentary of a theorist (Gregorio Comanini).

Maiorino draws subtle and persuasive connections...

Siena of the thirteenth and fourteenth centuries was one of the great cities of Europe and its artists--Duccio, Simone Martini, and Ambrogio and Pietro Lorenzetti--were among those who reshaped the nature and place of painting first in Italy, then across Europe. Drawing on the extraordinary riches of Sienese archives, on early unpublished secondary sources, and on the recent work of historians, Hayden Maginnis situates early Sienese painters within their society and their city and provides the first comprehensive account of the economic, social, religious, and intellectual world of Siena's...

An exploration of the ways in which Michelangelo created himself.

This dictionary is a quick and useful reference source for identifying and understanding the Renaissance art of Italy and northern Europe. Arranged in alphabetical sequence, the more than eight hundred entries provide basic information about topics that were common subjects in painting, sculpture, and decorative arts of the period. Additionally, entries on characteristic schools, techniques, media, and other terminology have been included as background information as well as to provide an art history vocabulary necessary for comprehending or clarifying certain topics. Supplemental...

A lively and intriguing tale of the competition between two artists, culminating in the construction of the Duomo in Florence, this is also the story of a city on the verge of greatness, and the dawn of the Renaissance, when everything artistic would change.

Florence′s Duomo - the dome of the Santa Maria del Fiore cathedral - is one of the most enduring symbols of the Italian Renaissance, an equal in influence and fame to Leonardo and Michaelangelo′s works. It was designed by Filippo Brunelleschi, the temperamental architect who rediscovered the techniques of...

Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have...

• Fourth edition of Sir John Hale's classic history of England and the Italian Renaissance, first published in 1954.
  
• The book's focus on fundamental issues and basis in little-read primary sources ensures that it endures as an important contribution to historical scholarship. Clear, chronological narrative, beautifully...