Kategoria BISAC: Art >> History - Renaissance

Raphael's masterpiece was commissioned by Duke Guidobaldo da Montefeltro, the ruler of Urbino, in 1506. Raphael was only twenty-three...

As a young man, Miguel de Cervantes left his home in Spain and travelled extensively through Italy, experiencing all that the Italian Renaissance had to offer. In his later writings, Cervantes sought to recapture his experience through literature, and literary critics have often pointed to Italian texts as models for Cervantes' writing. The art of the period, however, has seldom been examined in this context.

Focusing on Don Quixote, Frederick A. de Armas unearths links between Cervantes' text and frescoes, paintings, and sculptures by Italian artists such as Cambiaso,...

The ducal court of Cosimo I de' Medici in sixteenth-century Florence was one of absolutist, rule-bound order. Portraiture especially served the dynastic pretensions of the absolutist ruler, Duke Cosimo and his consort, Eleonora di Toledo, and was part of a Herculean programme of propaganda to establish legitimacy and prestige for the new sixteenth-century Florentine court.

In this engaging and original study, Gabrielle Langdon analyses selected portraits of women by Jacopo Pontormo, Agnolo Bronzino, Alessandro Allori, and other masters. She defines their function as works of art, as...

• A major new anthology, bringing to life the places, works, media, and issues that define Renaissance art
  
• Ideal for use on Renaissance studies courses and for reference by students of art history
  
• Moves beyond the borders of Italy to consider European, Mediterranean, and post Byzantine art, widening the traditional focus of Renaissance art
  
• Includes...

The Commonwealth of Nature explores the role of Tuscan visual culture in the poetic construction of a commonwealth. For Campbell, "commonwealth" should be viewed not only in the context of abstract political theory but also as a living reality, dependent upon the very processes of art making. The book focuses on four exceptional works: Brunetto Latini's didactic poem the Tesoretto; a unique illustrated manuscript of the same; and Simone Martini's Maesta and Ambrogio Lorenzetti's Allegory of Good and Bad Government, both painted for the Palazzo Pubblico...

In Dosso Dossi: Paintings of Myth, Magic, and the Antique, Giancarlo Fiorenza draws on a wealth of rarely studied primary source material to present the work of the Ferrarese court artist Dosso Dossi in a new light. The artist, who worked mainly for Duke Alfonso I d'Este of Ferrara, is celebrated for his mythological paintings that spoke to the courtly imagination. Fiorenza focuses on Dosso's highly allusive and eloquent portrayal of ancient and vernacular subjects found in such well-known works as Jupiter Painting Butterflies, Myth of Pan, Enchantress, and his frescoes...

Saint James Freeing Hermogenes, an important painting by one of the world's most beloved Renaissance artists, was privately owned and rarely seen until two decades ago, when it was acquired by the Kimbell Art Museum. Now an eminent authority reviews previous studies on this beautiful Fra Angelico painting and draws on new technical and archival research to provide a more precise reconstruction of its original format and context.

A narrative history of how Leonardo da Vinci's painting of the Mona Lisa came to be the most famous in the world - and one of the most powerful cultural icons of our time.

What has made the Mona Lisa the most famous picture in the world? Why is it that, of all the 6,000 paintings in the Louvre, it is the only one to be exhibited in a special box, set in concrete and protected by two sheets of bulletproof glass? Why do thousands of visitors throng to see it every day, ignoring the masterpieces which surround it?

For nearly 500 years the painting - and the mysterious smile on the...