Kategoria BISAC: Art >> History - Medieval

Princeton and the Gothic Revival investigates America's changing attitudes toward medieval art around the turn of the twentieth century through the lens of Princeton University and its role as a major patron of Gothic Revival art and architecture. Johanna Seasonwein charts a shift from eclecticism to a more unified, "authentic" approach to medieval art, and examines how the language of medieval forms was used to articulate a new model of American higher education in campus design and the classroom.

The catalog for an exhibition at the Princeton University Art Museum,...

This volume brings together a comprehensive selection of textual sources relating to the most important foundation of the Komnenian age, the Monastery of Pantokrator in Constantinople. These texts, many previously unpublished, offer information on the historical and cultural context of Constantinople before and during the Monastery's founding, its associated officials, and festivals celebrated in its churches.

Eve tempting Adam with the apple, Delilah shearing Samson's hair, Phyllis riding the philosopher Aristotle like a horse--from the patristic period through the sixteenth century, examples of disorderly women such as these from the Bible, antiquity, and romance were cited to prove beyond any doubt that women exercise a power that no man, however superior his moral and physical qualities, can resist. An example of Latin topica, loci, or loci communes central to ancient rhetoric and medieval literature, the Power of Women topos illustrated how a woman could dominate,...

Modern audiences are most likely to encounter Yvain and other Arthurian characters in literature. We read Chretien de Troyes's Yvain or Hartmann von Aue's Iwein, and easily slip into the assumption that during the Middle Ages the title character existed primarily, or even exclusively, in these canonical texts. James A. Rushing, Jr. contends, however, that many times the number of people who heard or read Chretien or Hartmann must have known the Ywain story through the varieties of second-hand narration, hearsay, and conversation that we may call secondary orality. And man...

Lorenzo il Magnifico de' Medici was the head of the ruling political party at the apogee of the golden age of Quattrocento Florence. Born in 1449, his life was shaped by privilege and responsibility, and his deeds as a statesman were legendary even while he lived. At his death he was master of the largest and most famous private palace in Florence, a building crammed full of the household goods of four generations of Medici as well as the most extraordinary collections of art, antiquities, books, jewelry, coins, cameos, and rare vases in private hands. His heirs undertook an inventory of...

This monumental work provides a comprehensive analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasid mosaics in the Holy Land, spanning the second century b.c.e. to the eighth century c.e. Previous general studies of the Holy Land mosaics have focused on specific collections; in Mosaics of Faith, Rina Talgam sets out to demonstrate how mosaic art constructed cultural, religious, and ethnic identities in eras that shaped the visual expressions of three monotheistic religions. Her examination of the mosaics in a pivotal area of the eastern Mediterranean...

Bernhard von Breydenbach's Peregrinatio in terram sanctam (Journey to the Holy Land), first published in 1486, is one of the seminal books of early printing and is especially renowned for the originality of its woodcuts. In Picturing Experience in the Early Printed Book, Elizabeth Ross considers the Peregrinatio from a variety of perspectives to explain its value for the cultural history of the period. Breydenbach, a high-ranking cleric in Mainz, recruited the painter Erhard Reuwich of Utrecht for a religious and artistic adventure in a political hot spot--a...

Emilie Charmy (1878-1974) charted a remarkable course in the world of French modern art in the first half of the twentieth century. Her earliest works, executed around 1900, explored the legacy of Impressionist and Post-Impressionist painting. An engagement with the avant-garde circle of Fauve painters defined her art in the years leading up to the First World War. In the ensuing interwar period, Charmy found her mature style, characterized by optical realism, an adherence to the traditional genres of portraiture, the nude, landscape, and still life, and a modernist notion of direct,...