Kategoria BISAC: Art >> History - Ancient & Classical

"With this guide, students and scholars can locate the impressive plaster casts made from classical Greek and Roman statues and other pieces that were brought to Cornell by A. D. White. They can also search out sculptures, pottery, coins, and functional objects from the ancient world that have been added to Cornell's collections over the years. Many of these antiquities are of high quality and significance. They are invaluable for research and scholarship and for teaching present-day students in fields from classics to art history to Near Eastern studies, anthropology, and city and...

Amber has fascinated mankind since the Paleolithic era. Through exquisite visual examples and vivid classical texts, this book examines the myths and legends woven around amber--its employment in magic and medicine, its transport and carving, and its incorporation into jewelry, amulets, and other objects of prestige. Showcased are a group of remarkable amber carvings at the J. Paul Getty Museum and masterpieces from other collections. Amber is a tree resin that has metamorphosed over millions of years into a hard, transparent, plastic-like polymer. In the ancient world it was treasured in...

Anteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process.

Topics of discussion include:

• Anteros in the Italian Renaissance, the French Enlightenment and English Modernism
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These monuments, considered sacred, were one of the community s important forms of cultural and religious...

The modern viewer is familiar with winged human figures in pictures, above all angels. Winged figures are also frequent on Greek vases. However, here, they must be seen in a very different cultural and, above all, religious context. What is their meaning in these contexts, and what does this tell us about how the pictures are to be understood overall? By trying to find answers to these questions, the books tells us a great deal about how the ancient Greeks saw the world and their role in it, and how they understood their relationship with the gods.

• An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world
• Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic
• Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present
• Includes chapters on Chronology and Topography, as well as Workshops and Technology
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Bilder sind keine bloen Objekte der Betrachtung. Zu allen Zeiten besitzen sie unmittelbar Einfluss auf Wahrnehmungs- und Handlungsweisen, insbesondere im Rahmen von Zeremonien. Im vorliegenden Band beleuchten unterschiedliche archaologische Disziplinen die Bezuge zwischen Bildwerken, Raumen und Handlungen an Fallbeispielen vergangener Kulturen ‑ darunter die Nasca-Palpa-Geoglyphen in Sudamerika, das steinzeitliche Gobekli Tepe, minoische und mykenische Palaste und griechische und romische Stadte. Ziel ist eine neue methodische Annaherung an die Wirkungsmacht von Bildwerken.