Kategoria BISAC: Art >> History - Prehistoric & Primitive

Winner of the Levenson Prize sponsored by the Association for Asian Studies

Shortlisted for the 2009 ICAS Book Award

Silk and bamboo are easily ruined, But metal and stone are hard to destroy.

Placed on a high mountain

The writing] will be passed down without limit.

- from Stone Eulogy, Mount Tie

To look at the mountains is like gazing at a painting, and roaming in the mountains is like reading history.

- Chen Yuanlong (1652-1736), commentary on inscriptions in and near Longyin Cave, Guilin

In this fascinating and meticulously researched...

Over many centuries, the prehistoric Fremont and Anasazi peoples of present-day Utah left an artistic record in which distinctive styles are readily identifiable. From the Uinta Mountains through the central canyonlands to the Virgin River, Utah's abundant prehistoric rock art offers glimpses of a lost world.

The Rock Art of Utah is a rich sample of the many varieties of rock art found in the state. Through nearly two hundred high-quality photographs and drawings from the Donald Scott Collection, all made during the 1920s and 1930s, rock art expert Polly Schaafsma provides a...

The Cave Painters is a vivid introduction to the spectacular cave paintings of France and Spain the individuals who rediscovered them, theories about their origins, their splendor and mystery.

Gregory Curtis makes us see the astonishing sophistication and power of the paintings and tells us what is known about their creators, the Cro-Magnon people of some 40,000 years ago. He takes us through various theories that the art was part of fertility or hunting rituals, or used for religious purposes, or was clan mythology examining the ways interpretations have changed over...

Museumswissenschaft, Museumsanalyse, Museumsgeschichte, Museumstheorien ... - neben Bezeichnungen wie Museologie und Museumskunde haben in den letzten Jahren Komposita Verwendung gefunden, die vor allem eines vor Augen fuhren: das zunehmende wissenschaftliche Interesse an Museen. Bis heute kehrt dabei das Argument stets wieder, dass die Institution mageblicher Schauplatz nationaler Identitatsbildung gewesen sei. Der Band ruckt hingegen das Museum als Produkt grenzuberschreitender Austausch- und Transferprozesse von circa 1750 bis 1940 in den Mittelpunkt.

The Cradle of Humanity: Prehistoric Art and Culture collects essays and lectures by Georges Bataille spanning 30 years of research in anthropology, comparative religion, aesthetics, and philosophy. These were neither idle nor idyllic years; the discovery of Lascaux in 1940 coincides with the bloodiest war in history -- with new machines of death, Auschwitz, and Hiroshima. Bataille's reflections on the possible origins of humanity coincide with the intensified threat of its possible extinction.For Bataille, prehistory is universal history; it is the history of a human community prior to its...

Proceedings of the XV World Congress UISPP (Lisbon, 4-9 September 2006)

This book includes papers presented at the session (C80) entitled 'Pleistocene Palaeoart of the World'.

Changing Pictures aims to return to traditional interpretative notions regarding the meaning and significance of rock art to investigate if and why any information had been left behind to recover and rethink. During the last decades, there has...

Around 1542, descendants of the Aztec rulers of Mexico created accounts of the pre-Hispanic history of the city of Tetzcoco, Mexico, one of the imperial capitals of the Aztec Empire. Painted in iconic script ("picture writing"), the Codex Xolotl, the Quinatzin Map, and the Tlohtzin Map appear to retain and emphasize both pre-Hispanic content and also pre-Hispanic form, despite being produced almost a generation after the Aztecs surrendered to Hernan Cortes in 1521. Yet, as this pioneering study makes plain, the reality is far more complex.

Eduardo de J....

Paris Monographs in American Archaeology 25

This study presents a motif classification, quantification, and regional comparisons for engraved rock art from the Maderas Volcano on Ometepe Island, Nicaragua. Maderas has the largest concentration of petroglyphs thus far reported in Central America. A formal analysis was conducted, which included construction of a typology for, then quantitative analysis of motifs found on over 700 boulders - only a portion of that known to exist on the island.