Kategoria BISAC: Art >> History - Prehistoric

Proceedings of the XV UISPP World Congress (Lisbon, 4-9 September 2006), Volume 35.

C74 edited by Marc Groenen and Didier Martens.

C81 edited by Jane Kolber; John Clegg and Alicia Distel.

C85 edited by Kevin Sharpe and Jean Clottes.

S02 edited by Mila SimOes Abreu.

S07 edited by Giriraj Kumar and Robert Bednarik.

WS37 edited by James Keyser and Mavis Greer.

Volume edited by Claudia Fidalgo and Luiz Oosterbeek.

San rock paintings, scattered over the range of southern Africa, are considered by many to be the very earliest examples of representational art. There are as many as 15,000 known rock art sites, created over the course of thousands of years up until the nineteenth century. There are possibly just as many still awaiting discovery.

Taking as his starting point the magnificent Linton panel in the Iziko-South African Museum in Cape Town, J. D. Lewis-Williams examines the artistic and cultural significance of rock art and how this art sheds light on how San image-makers conceived...

From prehistory to the present, the Indigenous peoples of the Andes have used a visual symbol system--that is, art--to express their sense of the sacred and its immanence in the natural world. Many visual motifs that originated prior to the Incas still appear in Andean art today, despite the onslaught of cultural disruption that native Andeans have endured over several centuries. Indeed, art has always been a unifying power through which Andeans maintain their spirituality, pride, and culture while resisting the oppression of the dominant society.

In this book, Mary Strong takes a...

The...

Are images and representations central to understanding Native Americans? How do Native artists, as producers of visual culture, respond to what art critic Lucy Lippard has called "the overwhelming burdens" of Indian art? In this path breaking study, anthropologist Nancy Marie Mithlo examines the power of stereotypes, the utility of pan-Indianism, the significance of realist ideologies, and the employment of alterity in Native American arts. Addressing the question of how visual referents communicate across cultural divides, she aims to deconstruct the common understanding of stereotypes...

Museumswissenschaft, Museumsanalyse, Museumsgeschichte, Museumstheorien ... - neben Bezeichnungen wie Museologie und Museumskunde haben in den letzten Jahren Komposita Verwendung gefunden, die vor allem eines vor Augen fuhren: das zunehmende wissenschaftliche Interesse an Museen. Bis heute kehrt dabei das Argument stets wieder, dass die Institution mageblicher Schauplatz nationaler Identitatsbildung gewesen sei. Der Band ruckt hingegen das Museum als Produkt grenzuberschreitender Austausch- und Transferprozesse von circa 1750 bis 1940 in den Mittelpunkt.

The catalogue for the exciting exhibition at New York University's Institute for the Study of the Ancient World, Masters of Fire presents a comprehensive overview of the little-known yet extraordinary Chalcolithic culture, which existed in the southern Levant from 4500-3600 bce.

Masters of Fire focuses on the people of the southern Levant who harnessed the power of metallurgy during the fourth millennium bce. Artisans produced extraordinary copper objects while other craftsmen molded pottery and stone into complex anthropomorphic burial containers, statuettes, and...