Kategoria BISAC: Art >> American - General

Mark Tobey and Teng Baiye: Seattle / Shanghai is the first book to explore artistic and intellectual exchanges between Chinese artist Teng Baiye (1900?1980) and his American contemporary Mark Tobey (1890?1976). Essays by Jo-Anne Birnie Danzker and David Clarke consider Teng's influence as both a cultural interpreter and an artistic practitioner on the development of Tobey's distinctive artistic practice and ? through Tobey ? on the discourse on abstraction in midcentury American art.

The salted paper print process and the daguerreotype were invented, for all practical purposes, simultaneously. Though using different materials and methods (the salted paper print was patented, while daguerreotype was not) still both achieved the miracle of fixing an image from life within a substrate--in other words, they ushered in the medium of photography.

The uses of each form of photography varied greatly. In Europe the salted paper print was valued for its aesthetic qualities―the massing of light and the softening of detail--while in North America, the salted paper...

During 2014-2015, Northwest Watercolor Society celebrates its 75th anniversary. The society has attracted many of the most accomplished regional watercolorists as members and exhibitors, and is one of the earliest and most successful continuing arts organizations in the history of Washington State. A Fluid Tradition: Northwest Watercolor Society . . . The First 75 Years - richly illustrated with color reproductions and artist biographies - reestablishes the reputations of many early society members while giving a glimpse of rare works by some of today's leading regional...

Of the late nineteenth- and early twentieth-century Jewish artists, a large number turned toward radical socialist politics. These artists, even the most secularized among them, were deeply influenced by the Jewish traditions, teachings, and culture in which they were raised. The communal thrust of Judaism that calls upon Jews to bear the responsibility for the moral, spiritual, and material welfare of their community informed the creative output of these artists.

Baigell explores the meaningful yet little-examined connections between religious heritage, social concerns, and political...

In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation's borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley s painting Watson and the Shark, Alfred Eisenstaedt s photograph V-J Day, 1945, Times Square, and Alfred Kinsey s reports on sexual behavior, as well as more surprising but revealing artifacts...

In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation's borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley s painting Watson and the Shark, Alfred Eisenstaedt s photograph V-J Day, 1945, Times Square, and Alfred Kinsey s reports on sexual behavior, as well as more surprising but revealing artifacts...

In his...

"There's an inspiring and wacky solemnity in these organizations--high values reinforced through pageantry and performance in an ecumenical social setting--which deep down must also have been a whole lot of fun. Now it's as if that foundational Other America, that underpinning of the America we know, has gradually eroded, and here we remain, living in a world that is a mere shell, a movie set, of the world that made our world manifest, that brought it into being, and all we have left are these perplexing masks, banners, and costumes to puzzle over."
--David Byrne, from the...