Kategoria BISAC: Art >> History - General

Color is an integral part of human experience, so common as to be overlooked or treated as unimportant. Yet color is both unavoidable and varied. Each culture classifies, understands, and uses it in different and often surprising ways, posing particular challenges to those who study color from long-ago times and places far distant. Veiled Brightness reconstructs what color meant to the ancient Maya, a set of linked peoples and societies who flourished in and around the Yucatan Peninsula of Mexico and Central America. By using insights from archaeology, linguistics, art...

In his accompanying text, Jerry Blackwelder voices the...

How do psychoanalytic, semiotic, deconstructive, and other interpretations represent works of art? What can they see, and what must they miss? In Our Beautiful, Dry, and Distant Texts, Elkins suggests that the philosophic problems posed by these questions are essentially insuperable because philosophy makes demands of visual artifacts that they can answer only by becoming mirror images of philosophic discourse.

Elkins argues that writing is what art historians produce, and, whether such writing is a transparent vehicle for the transmission of facts or an embattled forum for...

Looking behind the scenes at the personalities and policies of such venerable institutions as the Federal Arts Project and the Museum of Modern Art, A. Joan Saab discerns a broad-based democratic modernism inspired by and engaged with the social life of the period.

In the summer of 1935 President Franklin Delano Roosevelt established the Federal Arts Project under the aegis of the Works Progress Administration. The project's goal was, in the words of its director Holger Cahill, to "get people all over the United States interested in art as an everyday part of living and working." In...

In this provocative book, Patricia Emison invites the reader to consider and reconsider how past thinkers--from Pliny and Alberti to Freud and Fried--have conceptualized the history of Western art. What a book review attempts to be for a book, this extended essay attempts to be for several hundred years' worth of books in a field: an indicator of problems with the old attempts and hopes for the new ones. It is a defense of art history for those outside the field who question its reliability or even its importance; it is a critique of art history for those in the field who may have been...