The two volumes of Royal Courts of the Ancient Maya provide current archaeological perspectives on Maya courts conceived as vital, functioning social groups composed of lords, courtiers, scribes, priests, and entertainers, among many others. In addition to archaeological data on the architecture and other spatial attributes of courts, the studies in the two volumes bring to bear on the topic the most recent evidence from inscriptions, vase paintings, murals and friezes, and ethnohistoric records in order to flesh out a portrait of the actors and roles that made up Maya courts through...
The two volumes of Royal Courts of the Ancient Maya provide current archaeological perspectives on Maya courts conceived as vital, functioning ...
The two volumes of Royal Courts of the Ancient Maya provide current archaeological perspectives on Maya courts conceived as vital, functioning social groups composed of lords, courtiers, scribes, priests, and entertainers, among many others. In addition to archaeological data on the architecture and other spatial attributes of courts, the studies in the two volumes bring to bear on the topic the most recent evidence from inscriptions, vase paintings, murals and friezes, and ethnohistoric records in order to flesh out a portrait of the actors and roles that made up Maya courts through...
The two volumes of Royal Courts of the Ancient Maya provide current archaeological perspectives on Maya courts conceived as vital, functioning ...
Color is an integral part of human experience, so common as to be overlooked or treated as unimportant. Yet color is both unavoidable and varied. Each culture classifies, understands, and uses it in different and often surprising ways, posing particular challenges to those who study color from long-ago times and places far distant. Veiled Brightness reconstructs what color meant to the ancient Maya, a set of linked peoples and societies who flourished in and around the Yucatan Peninsula of Mexico and Central America. By using insights from archaeology, linguistics, art...
Color is an integral part of human experience, so common as to be overlooked or treated as unimportant. Yet color is both unavoidable and varied. E...
Gathers papers from the conference held on the disappearance of writing systems, in Oxford in March 2004. This title offers a fresh perspective on approaches to writing that can be significant for the understanding of writing systems and their social functions, literacy, memory, and high-cultural communication systems in general.
Gathers papers from the conference held on the disappearance of writing systems, in Oxford in March 2004. This title offers a fresh perspective on app...
All of human experience flows from bodies that feel, express emotion, and think about what such experiences mean. But is it possible for us, embodied as we are in a particular time and place, to know how people of long ago thought about the body and its experiences? In this groundbreaking book, three leading experts on the Classic Maya (ca. AD 250 to 850) marshal a vast array of evidence from Maya iconography and hieroglyphic writing, as well as archaeological findings, to argue that the Classic Maya developed a coherent approach to the human body that we can recover and understand...
All of human experience flows from bodies that feel, express emotion, and think about what such experiences mean. But is it possible for us, embodi...
This book builds on earlier projects about the origins and extinctions of script traditions throughout the world in an effort to address the fundamental questions of how and why writing systems change. The contributors--who study ancient scripts from Arabic to Roman, from Bronze Age China to Middle Kingdom Egypt--utilize an approach that views writing less as a technology than as a mode of communication, one that is socially learned and culturally transmitted.
This book builds on earlier projects about the origins and extinctions of script traditions throughout the world in an effort to address the fundam...
The archaeological past exists for us through intermediaries. Some are written works, descriptions, narratives and field notes, while others are visual: the drawings, paintings, photographs, powerpoints or computer visualizations that allow us to re-present past forms of human existence. This volume brings together nine papers, six of which were presented at a symposium hosted at Brown University. Two papers explore the classical past and medieval visualizations. Three treat the Maya, and one considers the imaging by eighteenth-century antiquarians of British history; yet another ranges...
The archaeological past exists for us through intermediaries. Some are written works, descriptions, narratives and field notes, while others are visua...
