Kategoria BISAC: Art >> Folk & Outsider Art

Fire-cat masks, earth mother icons, henna tattoos, ankhs, and water altars--these objects may sound like the inventory in an ancient druid's sanctuary. But they are part of the sacred reliquary created by contemporary artists and practitioners of Neo-Pagan ritual.

Calling themselves -witches- and -pagans- and drawing inspiration from pre-Christian polytheistic worship, the practitioners of Neo-Paganism have often been misunderstood by outsiders. In the uninitiated, their art and iconography have inspired fear.

In featuring the works of ten artists, Sabina Magliocco's Neo-Pagan...

The fast-paced demands of a global economy make it increasingly difficult for folk and traditional artists to stay true to their heritages. All too often, artists either isolate themselves in an impossible struggle against the modern world or give up traditional methods and practices to follow current trends. Forms of Tradition in Contemporary Spain is a groundbreaking study of contemporary Spanish folk art and traditional artists. It charts the varied routes artists have found to evade these pitfalls while pursuing their art.

Through case studies of four considerably different...

Like few of his contemporaries, Norman Feder helped shape the study of American Indian art. In a career spanning four decades as hobbyist craftsman, author, curator, and editor, Feder contributed to the theoretical and methodological foundation of a discipline about to emerge from the narrow interests of museum anthropologists and devoted amateurs into public prominence and widespread appreciation.

Feder entered the field without the benefit of academic training, but with a profound firsthand knowledge of the importance of techniques for an understanding of Native American visual...

Abundantly illustrated, "Brothers in Clay" tells the story of Georgia's rich folk pottery tradition--the historical forces that shaped it and the families and individual artisans who continue to keep it alive. This pioneering book marked the first intensive study of a southern state's pottery heritage and the first major examination of a native Georgia art form. Drawing on interviews with practicing potters, John A. Burrison ranges widely in his coverage, providing discussions of the folk potters' contributions to Georgia life and their place in southern society; detailed explanations of...