Kategoria BISAC: Art >> Folk & Outsider Art

Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit.

In this...

Relatively few people in America build their own homes, but many yearn to make the places they live in more truly their own. Yard Art and Handmade Places profiles twenty homemakers who have used their yards and gardens to express their sense of individuality, to maintain connections to family and heritage, or even to create sacred spaces for personal and community refreshment and healing. Jill Nokes, an authority on native plants and ecological restoration, traveled across the state of Texas, seeking out residents who had transformed their yards and gardens into oases of art...

Linked historically, culturally, and geographically, the counties that make up southwestern Virginia and northeastern Tennessee are also connected by a shared decorative arts tradition. -Great Road Style, - so called because of the region's historical importance as a stage route connecting the eastern seaboard with the western frontier, is evidenced in distinctive forms of furniture, ceramics, textiles, and metalwork. Yet until now, the area's rugged geography--and the isolation of its communities--has prevented systematic documentation of its decorative artifacts. With Great Road...

This book provides a rare and authoritative glimpse at the splendid decorative military art of the Ottomans, and art that is both insufficiently known and insufficiently appreciated. Professor Zygulski describes in detail masterpieces from collections around the world, including the Topkapi Saray Museum in Istanbul, the National Museum In Cracow, the Freer Gallery of Art in Washington D.C., the Nationalbibliothek in Vienna, and elsewhere.

These odd and oversized attractions have become destinations for travelers. Whether it serves art, commerce, or local pride, the colossus is always a place in itself, a stopping place where the everyday rules of reality are suspended and the observer can gain...

Covering basketry, musical instruments, wood carving, quilting, pottery, boatbuilding, blacksmithing, architecture, and graveyard decoration, John Vlach seeks to trace and substantiate African influences in the traditional arts and crafts of black Americans. It is a widespread tradition, he observes, readily visible in areas such as the coastal regions of South Carolina and Georgia but discernible as well in places far to the west and north. With the aid of more than two hundred photographs and numerous maps, diagrams, and drawings, Vlach not only examines the form and content of the...

A complete catalog of the Atlanta History Center s permanent folk art exhibition, this richly illustrated volume defines and documents the folk arts of the lower southeastern United States. The objects, crafting processes, and performances represented here illustrate the unique qualities of the community-learned traditional arts of the South. John A. Burrison examines a multitude of traditional art forms, many of which still thrive today. Intricately constructed miniatures of covered wagons, sorghum-syrup mills, and pottery workshops speak of a life of subsistence farming. Decorated...

This abundantly illustrated volume arises out of the painstaking work of the Georgia Quilt Project, the most authoritative survey of quilts and quiltmakers ever undertaken in the state. "Georgia Quilts" showcases the diversity of quilting materials, methods, and patterns used in the state from the nineteenth century to the present and reveals how quilts serve as conduits of history and culture. From plain bed coverings of fabric scraps to exquisitely wrought pieces made for the "best bed," each of the 120 examples featured in the book tells its own story of abundance or want, peace or war,...

For many years, Maud Lewis was one of Nova Scotia's best-loved folk painters. In the 1990s she was embraced by the rest of the country when the landmark exhibition of her work The Illuminated Life of Maud Lewis travelled across Canada. By the time the tour was over, half a million people had become acquainted with her delightful work.

Between 1938, when she married Everett Lewis, until her death in 1970, Maud Lewis lived in a tiny one-room house near Digby, Nova Scotia. Over the years, she painted the doors inside and out, the windowpanes, the walls and cupboards, the...