Kategoria BISAC: Art >> Collections, Catalogs, Exhibitions - General

The National Gallery's collection of nineteenth-century sculpture is dominated by thirty-seven works by Auguste Rodin, among them The Kiss, and Honore Daumier's celebrated portrait busts. These works, as well as sculptures by Antoine-Louis Barye, Jean-Baptiste Carpeaux, Paul Gauguin, and Theodore Gericault, are examined in unprecedented depth, shedding new light on many issues of scholarship. An essay about Rodin and Mrs. John W. Simpson, the artist's most important American patron, and a selection of letters between the Simpsons and Rodin chronicle this artist-patron relationship....

More than one hundred works are catalogued in the second of two volumes devoted to the National Gallery of Art's holdings of nineteenth-century American paintings, including virtually all of the important portraits in the collection. Distinguished in part by the concentration of works by three preeminent artists, Thomas Sully, John Singer Sargent, and James McNeill Whistler, this collection also includes John Quidor's The Return of Rip van Winkle, Albert Pinkham Ryder's Siegfried and the Rhine Maidens, and Rembrandt Peale's Rubens Peale with a Geranium. The author has...

This catalogue from the Palmer Museum of Art of The Pennsylvania State University accompanied an exhibition, also entitled An Endless Panorama of Beauty, that presented highlights from the Jean and Alvin Snowiss collection of American art. Their remarkable collection ranges from the Revolutionary period of American history through the mid-twentieth century and includes major works by such famed artists as John Singleton Copley, Thomas Eakins, Winslow Homer, Charles Demuth, and Georgia O'Keeffe, among many others. An Endless Panorama of Beauty is the first publication...

Art critic Michael Paglia provides a profile of each of the artists....

This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University.

The measurement and documentation of time has been a universal issue since the dawn of civilization--and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the...