Kategoria BISAC: Art >> Techniques - Calligraphy

Arthur Szyk was one of the most creative and determined political activists of his time. A gifted book illustrator and illuminator, a skillful caricaturist, and a crusader for causes, this multifaceted artist ceaselessly defended the rights of Jews and advocated on their behalf.

Skilled in medieval and Persian miniature painting, Szyk redirected his artistry during World War II into political cartoons that unmasked the face of the Nazi enemy and mobilized popular opinion. His caricatures became daily fare in newspapers and magazines throughout the United States. In 1942 alone, Szyk's...

The word calligraphy literally means "beautiful writing." It is an art form that can be found in most civilizations with a written script. Originally developed to stress the importance of culture, religion and philosophy, over time calligraphy in most languages has developed into a purely artistic expression.

In Japanese culture, kanji characters from the Japanese writing system are used in...

Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world.
An astonishing mix of mundane, playful, absurd, and monstrous beings are found in the borders of English, French, and Italian manuscripts from the Gothic era. Unpredictable, topical, often irreverent, like the New Yorker cartoons...

From around 1250 to the close of the fifteenth century, the most important and original work being done in secular illumination was unquestionably in French vernacular history manuscripts. This volume celebrates the vivid historical imagery produced during these years by bringing together some of the finest masterpieces of illumination created in the Middle Ages. It is the first major publication to focus on exploring the ways in which text and illumination worked together to help show medieval readers the role and purpose of history. The images enabled the past to come alive before the...

The cover of this book was designed by a grandson of the subject of this book. The broken heart signifies the pain and sadness of all three characters, the subject, the author, and artist. When Erma was twenty-nine years old, her mother told her that she had a big heart with two wings. One wing was strength, and the other was sadness. Mother told Erma she needed Christ in her life to balance that big heart. Two years ago, Erma received a gift at Christmas from her oldest daughter. When she opened the present, it was a ceramic heart with two wings. At the first sight of the gift, Erma burst...