In China, a nation where the worlds of politics and art are closely linked, Western classical music was considered during the cultural revolution to be an imperialist intrusion, in direct conflict with the native aesthetic. In this revealing chronicle of the relationship between music and politics in twentieth-century China, Richard Kraus examines the evolution of China's ever-changing disposition towards European music and demonstrates the steady westernization of Chinese music. Placing China's cultural conflicts in global perspective, he traces the lives of four Chinese musicians and...

Chinese calligraphy has traditionally been an emblem of the ruling class and its authority. After a century of mass revolution, what is the fate of this elite art? Richard Kraus explores the relationship beween politics and the art of writing in China today to explicate the complex relationship between tradition and modernity in Chinese culture. His study draws upon a wide range of sources, from political documents, memoirs, and interviews with Chinese intellectuals to art exhibitions and television melodramas.

Mao Zedong and other Communist leaders gave calligraphy a revolutionary role,...

Arguing that cultural reform is a key aspect of political reform, Richard Kraus shows here that China's economic transformation has dramatically liberated the production and consumption of culture. In this original and provocative study, Kraus offers a political analysis of Chinese culture that includes all genres of art. Surveying the evolution of China's cultural politics between 1979 and 2003, this book explores the complex relationship between money and art as exemplified by declining state arts patronage, changing standards for painting nudity, censorship, and the professionalization of...