Kategoria BISAC: Architecture >> History - Medieval

Rainbow Like an Emerald is the most comprehensive study of Lorraine stained glass as a regional style developed in conjunction with the typical Gothic architecture of the province.

Situated between France and Germany, medieval Lorraine increasingly looked to France for it cultural standards. While French in inspiration, however, its Gothic architecture and stained glass quickly developed strong regional and distinctive characteristics. This architecture has only in the last decade been studied, and Lillich's work is the first serious analysis of the windows.

Loraine...

The majority of papers at the conference and...

Examining Byzantine architecture--primarily churches built in the area of Constantinople between the ninth and fifteenth centuries--from the perspective of its masons, its master builders, Robert Ousterhout identifies the problems commonly encountered in the process of design and construction. He analyzes written evidence, the archaeological record, and especially the surviving buildings, concluding that Byzantine architecture was far more innovative than has previously been acknowledged.

Ousterhout explains how masons selected, manufactured, and utilized materials from bricks and...

First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Difficulties as to when the Romanesque began or ended (even within individual countries), the disparities in local idioms of the style, and its intrinsic links to nationalism in a variety of countries in the post-medieval period have sometimes hindered scholarly research on a European scale.

It is a period and style that is best studied with no classificatory platform, as the many essays in this volume indicate. Some of the most eminent...

Chartres Cathedral, south of Paris, is revered as one of the most beautiful and profound works of art in the Western canon. But what did it mean to those who constructed it in the twelfth and thirteenth centuries--and why was it built at such immense height and with such glorious play of light, in the soaring manner we now call Gothic?

In this eminently fascinating work, author Philip Ball makes sense of the visual and emotional power of Chartres and brilliantly explores how its construction--and the creation of other Gothic cathedrals--represented a profound and dramatic shift in...