Announcing the new Princeton University Art Museum Monograph Series: Princeton University Art Museum Monographs is a new series of in-depth explorations of the museum's rich collections. Beautifully designed and produced, these books by leading and emerging scholars offer new insights and perspectives on a single work or group of works from Princeton's distinguished permanent collection. Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselmann, Robert Indiana, and Alex Katz have all come to define the Pop art movement that emerged in America in the 1960s. This handsomely...
Announcing the new Princeton University Art Museum Monograph Series: Princeton University Art Museum Monographs is a new series of in-depth explor...
From its foundation in 1888, The Art Museum, Princeton University, has amassed an impressive collection of ancient Greek sculpture, which, along with the museum's other collections of ancient art, has long played an integral role in the training of art historians and archaeologists. This book is a comprehensive catalog of The Art Museum's ancient Greek sculpture. Here a team of scholars headed by Brunilde Ridgway thoroughly documents each of the forty pieces that constitute this broad and diverse collection. The collection includes gravestones, votive reliefs, and portraits of poets,...
From its foundation in 1888, The Art Museum, Princeton University, has amassed an impressive collection of ancient Greek sculpture, which, along wi...
First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Difficulties as to when the Romanesque began or ended (even within individual countries), the disparities in local idioms of the style, and its intrinsic links to nationalism in a variety of countries in the post-medieval period have sometimes hindered scholarly research on a European scale.
It is a period and style that is best studied with no classificatory platform, as the many essays in this volume indicate. Some of the most eminent...
First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Diffi...
First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Difficulties as to when the Romanesque began or ended (even within individual countries), the disparities in local idioms of the style, and its intrinsic links to nationalism in a variety of countries in the post-medieval period have sometimes hindered scholarly research on a European scale.
It is a period and style that is best studied with no classificatory platform, as the many essays in this volume indicate. Some of the most eminent...
First classified as an early phase of the Gothic, Romanesque art of the late eleventh and twelfth centuries presents a variety of challenges. Diffi...
