A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent...
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration o...
By looking into the forms of patronage devised by Artangel and into the projects the organization has made possible since 1985, Charlotte Gould explores how specifically British ways of financing art – taking into account the history which has shaped British patronage – have informed new visual possibilities.
By looking into the forms of patronage devised by Artangel and into the projects the organization has made possible since 1985, Charlotte Gould explor...
