This volume contains a collection of essays written by G. K. Chesterton. These essays were originally published in the 'Daily News', and cover a range of topics ranging from Gargoyles to strolls around Marble Arch. The essays contained herein include: The Surrender of a Cockney, The Nightmare, The Telegraph Poles, A Drama of Dolls, The Men and His Newspaper, The Appetite of Earth, Simmons and the Social Tie, Cheese, The Red Town, The Furrows, and many more.

G.K. Chesterton was born on May 29, 1874 in London. He was known for writing academic commentary, poetry and short stories. His interest in theology and conversion to Catholicism led him to write religious fiction. In 1908, he wrote the novel The Man Who Was Thursday. His most popular work was a detective series featuring a sleuth named Father Brown. He died in 1936.

Perhaps the most light-hearted of all Chesterton's "serious" works, Manalive pits a group of disillusioned young people against Mr. Innocent Smith, a bubbly, high-spirited gentleman who literally falls into their midst. Later accused of murder and denounced for philandering everywhere he goes, Smith prompts his newfound acquaintances to recognize an important idea in most unexpected ways.

G.K. Chesterton was born on May 29, 1874 in London. He was known for writing academic commentary, poetry and short stories. His interest in theology and conversion to Catholicism led him to write religious fiction. In 1908, he wrote the novel The Man Who Was Thursday. His most popular work was a detective series featuring a sleuth named Father Brown. He died in 1936.

G.K. Chesterton was born on May 29, 1874 in London. He was known for writing academic commentary, poetry and short stories. His interest in theology and conversion to Catholicism led him to write religious fiction. In 1908, he wrote the novel The Man Who Was Thursday. His most popular work was a detective series featuring a sleuth named Father Brown. He died in 1936.

Like much of G. K. Chesterton's fiction, The Ball and the Cross is both witty and profound, cloaking serious religious and philosophical inquiry in sparkling humor and whimsy. Serialized in the British publication The Commonwealth in 1905-06, Chesterton's second novel first appeared in book form in America in 1909, delighting and challenging readers with its heady mixture of fantasy, farce, and theology.

The Ballad of the White Horse is one of the last great epic poems in the English language. On the one hand it describes King Alfred's battle against the Danes in 878. On the other hand it is a timeless allegory about the ongoing battle between Christianity and the forces of nihilistic heathenism. Filled with colorful characters, thrilling battles and mystical visions, it is as lively as it is profound.

Unless we are all mad, there is at the back of the most bewildering business a story: and if we are all mad, there is no such thing as madness. If I set a house on fire, it is quite true that I may illuminate many other people's weaknesses as well as my own. It may be that the master of the house was burned because he was drunk: it may be that the mistress of the house was burned because she was stingy, and perished arguing about the expense of a fire-escape.

G.K. Chesterton was born on May 29, 1874 in London. He was known for writing academic commentary, poetry and short stories. His interest in theology and conversion to Catholicism led him to write religious fiction. In 1908, he wrote the novel The Man Who Was Thursday. His most popular work was a detective series featuring a sleuth named Father Brown. He died in 1936.

G.K. Chesterton was born on May 29, 1874 in London. He was known for writing academic commentary, poetry and short stories. His interest in theology and conversion to Catholicism led him to write religious fiction. In 1908, he wrote the novel The Man Who Was Thursday. His most popular work was a detective series featuring a sleuth named Father Brown. He died in 1936.