This book explores the intersection of a number of academic areas of study that are all, individually, of growing importance: translation studies, crime fiction and world literature. The scholars included here are leaders in one or more of these areas. The frame of this volume is imagological; its focus is on the ways in which national allegories are constructed and deconstructed, encompassing descriptions of national characteristics as they play out at the level of the local or the individual as well as broader, political analyses. Its corpus, crime fiction, is shown to be a privileged...