The dissertation explores interpretive conditions of contemporary performance art and interdisciplinary studies. It sets out with a discussion of Richard Foreman's I've Got the Shakes (1995), which is perceived as a paradigmatic example of postmoderm performance. The event exposes two contradictory practices: one pertaining to a postmodernist mode of performance and the other to a culture-historic practice of ritual. This conflict leads to the interpretive challenge of writing about cultural practices that are only partially semantic. Theatre has always depended on practical modes of...
The dissertation explores interpretive conditions of contemporary performance art and interdisciplinary studies. It sets out with a discussion of Rich...
Applying research into assessments of community theatre, epidemiology, and young people's shared and private stories using a wide range of methodologies, this book explores the potential efficacy of community theatre to prevent the spread of HIV/AIDS in Tanzania with reference to several other comparable sites in Africa.
Applying research into assessments of community theatre, epidemiology, and young people's shared and private stories using a wide range of methodologi...
