Although Jane Austen famously referred to Emma as a heroine "whom no one but myself will much like," the irony of her remark has been obvious since the first appearance of her novel in December 1815. The central character may have attracted diverse reactions, but there can be no doubt about the endless enjoyment afforded to generations of readers. The essays in this collection demonstrate the varied delights of reading Emma. Most have been written in the last twenty years, but each draws on the cumulative body of scholarship and critical analysis that has built up since the novel was...
Although Jane Austen famously referred to Emma as a heroine "whom no one but myself will much like," the irony of her remark has been obvious since th...
Are literary ideas of originality and imitation, allusion and influence inherently political if the poems emerge from different sides of a border or of a colonial relationship? Taking as a framework the history of relations between Ireland, England, and Scotland since the 1707 Union, the book explores this question through a series of close readings.
Are literary ideas of originality and imitation, allusion and influence inherently political if the poems emerge from different sides of a border or o...
Reading Romantic Poetry introduces the major themes and preoccupations, and the key poems and players of a period convulsed by revolution, prolonged warfare and political crisis.
Provides a clear, lively introduction to Romantic Poetry, backed by academic research and marked by its accessibility to students with little prior experience of poetry
Introduces many of the major topics of the age, from politics to publishing, from slavery to sociability, from Milton to the mind of man
Encourages direct responses to poems by opening up different aspects of the...
Reading Romantic Poetry introduces the major themes and preoccupations, and the key poems and players of a period convulsed by revolution, prol...
