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Reading Romantic Poetry introduces the major themes and preoccupations, and the key poems and players of a period convulsed by revolution, prolonged warfare and political crisis.
Provides a clear, lively introduction to Romantic Poetry, backed by academic research and marked by its accessibility to students with little prior experience of poetry
Introduces many of the major topics of the age, from politics to publishing, from slavery to sociability, from Milton to the mind of man
Encourages direct responses to poems by opening up different aspects of the literature and fresh approaches to reading
Discusses the poets' own reading and experience of being read, as well as analysis of the sounds of key poems and the look of the poem on the page
Deepens understanding of poems through awareness of their literary, historical, political and personal contexts
Includes the major poets of the period, Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Burns and Clare --as well as a host of less familiar writers, including women
There are gems of insight on every page of this engaging and clarifying book, which opens up familiar and unfamiliar poems to considerations of verbal texture just as much as it reveals them in their cultural and political contexts. Stafford s Reading Romantic Poetryteaches as much by example as by precept. This is how to read Romantic poetry and it is, as such, an ideal introduction to the period s literary culture as a whole. (The BARS Review, 1 October 2014)
"These engagements with the nature of poetry are no mystical celebration of a mysterious power on the contrary: by focusing on specific attempts Professor Stafford underlines the demystifying facet of these poems which lay bare their own artifice to their readers." (Cercles, 1 December 2012)
"An excellent, well–written resource for those interested in Romantic poetry Stafford brings a new sensibility and fresh eye to the subject ... Highly recommended." (Choice, 1 October 2012)
Preface vii
1 The Pleasures of Poetry 1
2 Solitude and Sociability 34
3 Common Concerns and Cultural Connections 65
4 Traditions and Transformations: Poets as Readers 95
5 Reading or Listening? Romantic Voices 132
6 Sweet Sounds 162
7 Poems on Pages 193
References 227
Index 230
Fiona Stafford is Professor of English Literature at the University of Oxford, and a Fellow of Somerville College, Oxford. She has published on a wide range of Romantic literature, and is especially interested in the literary relationships between England, Scotland, Ireland and Wales. She has written several books including
Local Attachments: The Province of Poetry (2010
) andBrief Lives: Jane Austin (2008) and has edited Wordsworth and Coleridge′s
Lyrical Ballads (2013), as well as novels by Jane Austen and Mary Shelley.
Coleridge argued that the most powerful poems were those to which we return with the greatest pleasure. Reading Romantic Poetry demonstrates, through careful critical analysis, the ways in which the rich poetry of the late eighteenth and early nineteenth centuries can speak directly to modern audiences.
The book introduces readers, often for the first time, to the pleasure of reading Romantic poetry. The famous poets of the period are included: Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Burns and Clare together with a host of less familiar writers, such as the women poets Smith, Yearsley, Barbauld, More, and Hemans.
Reading Romantic Poetry introduces the major themes and preoccupations, the key poems and players, as well as the crucial literary circles and influences of a period convulsed by revolution, prolonged warfare and political crisis.