How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyze how the plays are fundamentally altered in their screen versions. Instead of providing only play-by-play or film-by-film analysis, the book addresses and defines the main issues of theatre/film aesthetics. Hatchuel also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all major films.
How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, ...
New Kittredge Shakespeare editions combine performance issues in feature films with the clarity of Kittredge's notes to provide an entry for students to Shakespeare's plays. Included: performance notes, essays on reading that play as a performance.
New Kittredge Shakespeare editions combine performance issues in feature films with the clarity of Kittredge's notes to provide an entry for students ...
PHILO. Nay, but this dotage of our general's O'erflows the measure. Those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front. His captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper, And is become the bellows and the fan To cool a gipsy's lust.
PHILO. Nay, but this dotage of our general's O'erflows the measure. Those his goodly eyes, That o'er the files and musters of the war Have glow'd like...
How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyze how the plays are fundamentally altered in their screen versions. Instead of providing only play-by-play or film-by-film analysis, the book addresses and defines the main issues of theatre/film aesthetics. Hatchuel also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all major films.
How is a Shakespearean play transformed when it is directed for the screen? Sarah Hatchuel uses literary criticism, narratology, performance history, ...
The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well as new critical essays on older, canonical films. An international cast of authors explores not only productions from the USA and UK, but also translations, adaptations and appropriations in Quebec, Italy, India, Brazil and Mexico. The volume takes part in the ceaseless cultural investigation of what Othello says about Shakespeare, the past and our present time, supported by an invaluable film-bibliography. Accompanying free online resources...
The first volume in the re-launched series Shakespeare on Screen is devoted to Othello, offering up-to-date coverage of recent screen versions as well...
