'The volume, an impressive grappling with films that range from those in a classic realist mode, through modernist pastiche and postcolonialism and postmodernism, will become an inspiring and necessary handbook for countless scholars and students.' Michael Hattaway, Cahiers Élisabéthains: A Journal of English Renaissance Studies
1. Introduction: ensnared in Othello on screen Sarah Hatchuel and Nathalie Vienne-Guerrin; 2. Othello on screen: monsters, marvellous space and the power of the tale Victoria Bladen; 3. Rethinking blackness: the case of Olivier's Othello Peter Holland; 4. Othello retold: Orson Welles's Filming Othello Sébastien Lefait; 5. 'Institutionally racist': Sax's Othello and tethered presentism Peter J. Smith; 6. Intertextuality in Tim Blake Nelson's 'O' Ronan Ludot-Vlasak; 7. Indianizing Othello: Vishal Bhardwaj's Omkara Florence Cabaret; 8. Othello in Latin America: Otelo de Oliveira and Huapango Aimara da Cunha Resende; 9. Othello in Québec: André Forcier's Une histoire inventée Jennifer Drouin; 10. Anna's Sin and the circulation of Othello on film Douglas M. Lanier; 11. Mirroring Othello in genre films: A Double Life and Stage Beauty Kinga Földváry; 12. Othello in Spanish: dubbed and subtitled versions Jesús Tronch; 13. Othello on screen: select film-bibliography José Ramón Díaz Fernández; Index.