Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during the 14th and 15th centuries. He argues that the use of such records reveals not only the nature of sexual behaviour that was considered criminal, but also what society established as the norm. Through this examination of illicit sexuality, Ruggiero sheds light on the institutions, languages, social life and values not only of this shadow-culture, but also of Venetian society and, ultimately, the Renaissance itself.
Utilizing the records of several Venetian courts that dealt with sex crimes, Ruggiero traces the evolution of both licit and illicit sexuality during ...
The inaugural volume of Selections from Quaderni Storici looks at sexual mores and gender in European social history from the Renaissance to the twelfth century.
The inaugural volume of Selections from Quaderni Storici looks at sexual mores and gender in European social history from the Renaissance to the twelf...
An excellent introduction to and sampling of the developing genre of microhistory... In essence these historians begin their analysis 'from below, ' viewing the ordinary peoples ignored in the annals of European history. -- Catholic Historical Review. Selections from Quaderni Storici.
An excellent introduction to and sampling of the developing genre of microhistory... In essence these historians begin their analysis 'from below, ' v...
At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form--the ancient Latin comedy--to create witty, ribald, and intricately plotted plays that delighted Renaissance audiences with their clever reversals of gender and class roles. Five Comedies from the Italian Renaissance brings together the best of these works in lively new translations by Laura Giannetti and Guido Ruggiero, who also place the comedies in their cultural and social context. Presenting a fresh perspective on the Italian Renaissance, these deft translations allow modern readers to...
At the turn of the sixteenth century, Italian playwrights rediscovered and recast an old art form--the ancient Latin comedy--to create witty, ribal...
This volume brings together some of the most exciting renaissance scholars to suggest new ways of thinking about the period and to set a new series of agendas for Renaissance scholarship.
Overturns the idea that it was a period of European cultural triumph and highlights the negative as well as the positive.
Looks at the Renaissance from a world, as opposed to just European, perspective.
Views the Renaissance from perspectives other than just the cultural elite.
Gender, sex, violence, and cultural history are...
This volume brings together some of the most exciting renaissance scholars to suggest new ways of thinking about the period and to set a new series of...
Mining the rich Venetian archives, especially the unusually detailed records of Venice's own branch of the Roman Inquisition, Guido Ruggiero provides a strikingly new and provocative interpretation of the end of the Renaissance in Italy. In this boldly structured work, he develops five narrative accounts of individual encounters with the Inquisition that illustrate the double-edged metaphor of how passions were both bound by late Renaissance society and were seen in turn as binding people. In this way new perspectives are opened on magic, witchcraft, love, marriage, gender, and discipline at...
Mining the rich Venetian archives, especially the unusually detailed records of Venice's own branch of the Roman Inquisition, Guido Ruggiero provides ...
This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence, and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns...
This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ru...