Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the international repertory. In this colorful study two renowned music scholars demonstrate that this work, despite the modern climate in which it was written, was a fitting finale for the centuries-old Great Tradition of Italian opera. Here they provide concrete instances of how a listener might encounter the dramatic and musical structures of Turandot in light of the Italian melodramma, and firmly establish Puccini's last work within the tradition of...
Unfinished at Puccini's death in 1924, Turandot was not only his most ambitious work, but it became the last Italian opera to enter the internation...
A wide variety of essays by colleagues and former students reflect Professor Strunk's particular role as music historian, teacher, and a pre-eminent musicologist. Donald Grout provides the introduction and outlines the problems confronting musicology today. Other essays are devoted to early Christian music, Renaissance music, early Italian opera; Arthur Mendel writes on ambiguities of the munsural system, Edward Lowinsky on Willaert's "Chromatic Duo," Joseph Kerman on Verdi, and Elliot Forbes on Beethoven.
Originally published in 1958.
The Princeton Legacy Library uses...
A wide variety of essays by colleagues and former students reflect Professor Strunk's particular role as music historian, teacher, and a pre-eminen...
